Philosophy of Modern Music

Philosophy of Modern Music

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

Author: Theodor W. Adorno

Publisher: A&C Black

ISBN: 0826414907

Category: Music

Page: 220

View: 450

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.
Categories: Music

Philosophy of New Music

Philosophy of New Music

In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the US to a devastated Europe by writing 'Philosophy of New Music'.

Author: Theodor W. Adorno

Publisher:

ISBN: UOM:39015064692760

Category: Music

Page: 208

View: 141

In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the US to a devastated Europe by writing 'Philosophy of New Music'. This translation emerges as an indispensable key to the whole of Adorno's illustrious and influential oeuvre.
Categories: Music

Essays on Music

Essays on Music

No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major ...

Author: Theodor Adorno

Publisher: Univ of California Press

ISBN: 9780520231597

Category: Literary Collections

Page: 743

View: 120

"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History
Categories: Literary Collections

On Popular Music

 On Popular Music

Author: Theodor W. Adorno

Publisher:

ISBN: OCLC:20324795

Category: Popular music

Page: 52

View: 194

Categories: Popular music

Sound Figures

Sound Figures

Theodor Adorno is one of the 20th century's most influential thinkers in the areas of social theory, philosophy, aesthetics and music. This volume of essays contains Adorno's thoughts on music and its wider social implications.

Author: Theodor W. Adorno

Publisher: Stanford University Press

ISBN: 0804735581

Category: Music

Page: 229

View: 832

Theodor Adorno is one of the 20th century's most influential thinkers in the areas of social theory, philosophy, aesthetics and music. This volume of essays contains Adorno's thoughts on music and its wider social implications.
Categories: Music

Quasi Una Fantasia

Quasi Una Fantasia

At the book's core are illuminating studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Alexander Zemlinsky and Franz Schreker.

Author: Theodor W. Adorno

Publisher: Verso

ISBN: 1859841597

Category: Music

Page: 336

View: 690

Quasi una Fantasia contains Adorno's own selection from his essays and journalism over more than three decades. In its analytical profundity it can be compared to his Philosophy of Modern Music, but in the range of its topics and the clarity of its arguments it stands alone among Adorno's writings on music. At the book's core are illuminating studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Alexander Zemlinsky and Franz Schreker. Especially significant is Adorno's "dialectical portrait" of Stravinsky in which he both reconsiders and refines the damning indictment he gave in Philosophy on Modern Music. In 'Vers une musique informelle', an influential essay, he plots a course for a music of the future 'which takes up the challenge of an unrevised, unrestricted freedom'. More unexpectedly, there are moving accounts of earlier works, including Bizet's Carmen and Weber's Der Freischutz, along with an entertainingly caustic "Natural History of the Theatre." Which explores the hierarchies of the auditorium, from upper circle to foyer. 'The positive element of kitsch', Adorno remarks, 'lies in the fact that it sets free for a moment the glimmering realization that you have wasted your life.' Musical kitsch is the target of several of the shorter pieces: on Gounod's Ave Maria or Tchaikovsky's 'clumsy naivety'; on the 'Penny Serenade' of the transformation of Mozart into chocolate-box rococo. Yet even while Adorno demolishes 'commodity music' he is sustained by the conviction that music is supremely human because it retains the capacity to speak of inhumanity and to resist it. It is a conviction which reverberates throughout these writings. For Adorno, music and philosophy were inextricably linked: Quasi una Fantasia will enlarge our understanding of both.
Categories: Music

Current of Music

Current of Music

Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume.

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

ISBN: 9780745694634

Category: Music

Page: 480

View: 954

Fleeing the Nazis, Theodor W. Adorno lived in New York City as a refugee from 1938 until 1941. During these years, he was intensively involved in a study of how the recently developed techniques for the nation-wide transmission of music over radio were transforming the perception of music itself. This broad ranging radio research was conceived as nothing less than an investigation, partly empirical, of Walter Benjamin's speculative claims for the emancipatory potential of art in the age of its mechanical reproduction. The results of Adorno's project set him decisively at odds with Benjamin's theses and at the same time became the body of thinking that formed the basis for Adornos own aesthetics in his Philosophy of New Music. Current of Music is the title that Adorno himself gave to this research project. For complex reasons, however, Adorno was not able to bring the several thousands of pages of this massive study, most of it written in English, to a final form prior to leaving New York for California, where he would immediately begin work with Max Horkheimer on the Dialectic of Enlightenment. Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume. Current of Music will be widely discussed for the light it throws on the development of Adorno's thought, on his complex relationship with Walter Benjamin, but most of all for the important perspectives it provides on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.
Categories: Music

Mahler

Mahler

Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original.

Author: Theodor W. Adorno

Publisher: University of Chicago Press

ISBN: 9780226076300

Category: Music

Page: 188

View: 973

Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in musical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music.
Categories: Music

Beethoven

Beethoven

Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived.

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

ISBN: 9780745694290

Category: Social Science

Page: 288

View: 936

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived. Adorno identifies three periods in Beethoven's work, arguing that the thematic unity of the first and second periods begins to break down in the third. Adorno follows this progressive disintegration of organic unity in the classical music of Beethoven and his contemporaries, linking it with the rationality and monopolistic nature of modern society. Beethoven will be welcomed by students and researchers in a wide range of disciplines - philosophy, sociology, music and history - and by anyone interested in the life of the composer.
Categories: Social Science

Adorno s Aesthetics of Music

Adorno s Aesthetics of Music

An introduction to T. W. Adorno's aesthetics and sociology of music.

Author: Max Paddison

Publisher: Cambridge University Press

ISBN: 0521626080

Category: Music

Page: 378

View: 584

An introduction to T. W. Adorno's aesthetics and sociology of music.
Categories: Music

Composing for the Films

Composing for the Films

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors.

Author: Theodor W. Adorno

Publisher: A&C Black

ISBN: 0826480160

Category: Social Science

Page: 171

View: 234

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.
Categories: Social Science

After Adorno

After Adorno

This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life.

Author: Tia DeNora

Publisher: Cambridge University Press

ISBN: 1139440942

Category: Social Science

Page:

View: 626

Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology' this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device and reworks Adorno's focus through a series of grounded examples.
Categories: Social Science

Music as Philosophy

Music as Philosophy

Presents a study of Adorno's writings on Beethoven.

Author: Michael Spitzer

Publisher: Indiana University Press

ISBN: 0253347246

Category: Music

Page: 369

View: 334

Presents a study of Adorno's writings on Beethoven.
Categories: Music

The Oxford Handbook of Music Listening in the 19th and 20th Centuries

The Oxford Handbook of Music Listening in the 19th and 20th Centuries

According to Adorno, recognition leads to further relations. The song, initially an
aspect of experience, becomes an object, and consumers seemingly possess it,
imagining that it is their own. Adorno astutely identifies two factors in the feeling
of ...

Author: Christian Thorau

Publisher: Oxford University Press, USA

ISBN: 9780190466961

Category: Music

Page: 536

View: 747

An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
Categories: Music

Music Education and Religion

Music  Education  and Religion

Hitler exemplifies many characteristics of the devil mentioned before and is
convincing and seductive, using music and ... Theodor W. Adorno (1903–1969),
who was Thomas Mann's musical adviser for his novel Doctor Faustus, criticized
 ...

Author: Alexis Anja Kallio

Publisher: Indiana University Press

ISBN: 9780253043740

Category: Music

Page: 344

View: 200

Music, Education, and Religion: Intersections and Entanglements explores the critical role that religion can play in formal and informal music education. As in broader educational studies, research in music education has tended to sidestep the religious dimensions of teaching and learning, often reflecting common assumptions of secularity in contemporary schooling in many parts of the world. This book considers the ways in which the forces of religion and belief construct and complicate the values and practices of music education—including teacher education, curriculum texts, and teaching repertoires. The contributors to this volume embrace a range of perspectives from a variety of disciplines, examining religious, agnostic, skeptical, and atheistic points of view. Music, Education, and Religion is a valuable resource for all music teachers and scholars in related fields, interrogating the sociocultural and epistemological underpinnings of music repertoires and global educational practices.
Categories: Music

Apparitions

Apparitions

Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, ...

Author: Berthold Hoeckner

Publisher: Routledge

ISBN: 9781135577728

Category: Music

Page: 248

View: 675

Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz.
Categories: Music

Music and Consciousness 2

Music and Consciousness 2

between attention, analysis, and reflection if we are to avoid misunderstanding
Adorno's conception.12 In a talk entitled 'Anweisungen zum Hören neuer Musik' ('
Guidelines for listening to New Music'), Adorno (1963a) describes some of the ...

Author: Ruth Herbert

Publisher: Oxford University Press, USA

ISBN: 9780198804352

Category: Music

Page: 352

View: 339

Consciousness has been described as one of the most mysterious things in the universe. Scientists, philosophers, and commentators from a whole range of disciplines can't seem to agree on what it is, generating a sizeable field of contemporary research known as consciousness studies. Following its forebear Music and Consciousness: Philosophical, Psychological and Cultural Perspectives (OUP, 2011), this volume argues that music can provide a valuable route to understanding consciousness, and also that consciousness opens up new perspectives for the study of music. It argues that consciousness extends beyond the brain, and is fundamentally related to selves engaged in the world, culture, and society. The book brings together an interdisciplinary line up of authors covering topics as wide ranging as cognitive psychology, neuroscience, psychoanalysis, philosophy and phenomenology, aesthetics, sociology, ethnography, and performance studies and musical styles from classic to rock, trance to Daoism, jazz to tabla, and deep listening to free improvisation. Music and Consciousness 2 will be fasinating reading for those studying or working in the field of musicology, those researching consciousness as well as cultural theorists, psychologists, and philosophers.
Categories: Music

Theodor W Adorno

Theodor W  Adorno

Author: Gerard Delanty

Publisher:

ISBN: IND:30000109352066

Category: Criticism

Page: 409

View: 381

Categories: Criticism

In Search of Wagner

In Search of Wagner

This new edition includes a lengthy foreword by Slavoj Zizek, entitled "Why is Wagner worth saving?"

Author: Theodor W. Adorno

Publisher: Verso

ISBN: 1844675009

Category: Music

Page: 148

View: 158

This new edition includes a lengthy foreword by Slavoj Zizek, entitled "Why is Wagner worth saving?"
Categories: Music

The Musical Discourse of Servitude

The Musical Discourse of Servitude

below, Burney's image of Bach is one that resurfaces in recent configurations of
musical narrative and meaning in relation to Bach's significance. A more
immediate source for these configurations is Theodor Adorno. “Sympathy in
White Major”: ...

Author: Harry White

Publisher: Oxford University Press, USA

ISBN: 9780190903879

Category: Music

Page: 326

View: 626

"The Musical Discourse of Servitude examines the music of Johann Joseph Fux (c.1660-1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux's long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late baroque musical imagination which draws Fux, Bach and Handel into the orbit of North Italian compositional practice"--
Categories: Music