Essays on Music

Essays on Music

No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major ...

Author: Theodor Adorno

Publisher: Univ of California Press

ISBN: 0520231597

Category: Literary Collections

Page: 743

View: 985

"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History
Categories: Literary Collections

Adorno on Music

Adorno on Music

Adorno is one of the leading cultural thinkers of the twentieth century. This is the first detailed account of Adorno's texts on music from a sociological perspective.

Author: Robert W. Witkin

Publisher: Routledge

ISBN: 9781136215377

Category: Philosophy

Page: 224

View: 344

Adorno is one of the leading cultural thinkers of the twentieth century. This is the first detailed account of Adorno's texts on music from a sociological perspective. In clear, non-technical language, Robert Witkin guides the reader through the complexities of Adorno's argument about the link between music and morality and between musical works and social structure. It was largely through these works Adorno established the right of the arts to be acknowledged as a moral and critical force in the development of a modern society. By recovering them for non-musicologists, Witkin adds immeasurably to our appreciation of this giant of twentieth-century thought.
Categories: Philosophy

Current of Music

Current of Music

Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume.

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

ISBN: 9780745694634

Category: Music

Page: 480

View: 759

Fleeing the Nazis, Theodor W. Adorno lived in New York City as a refugee from 1938 until 1941. During these years, he was intensively involved in a study of how the recently developed techniques for the nation-wide transmission of music over radio were transforming the perception of music itself. This broad ranging radio research was conceived as nothing less than an investigation, partly empirical, of Walter Benjamin's speculative claims for the emancipatory potential of art in the age of its mechanical reproduction. The results of Adorno's project set him decisively at odds with Benjamin's theses and at the same time became the body of thinking that formed the basis for Adornos own aesthetics in his Philosophy of New Music. Current of Music is the title that Adorno himself gave to this research project. For complex reasons, however, Adorno was not able to bring the several thousands of pages of this massive study, most of it written in English, to a final form prior to leaving New York for California, where he would immediately begin work with Max Horkheimer on the Dialectic of Enlightenment. Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume. Current of Music will be widely discussed for the light it throws on the development of Adorno's thought, on his complex relationship with Walter Benjamin, but most of all for the important perspectives it provides on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.
Categories: Music

Philosophy of Modern Music

Philosophy of Modern Music

The book also covers other renowned composers including Wagner, Bach and Mozart. This is landmark work of philosophy that has shaped the way we think about music today.

Author: Theodor W. Adorno

Publisher: Bloomsbury Publishing

ISBN: 9781350225213

Category: Philosophy

Page: 200

View: 206

In this classic work of music theory Adorno critiques two major composers, Arnold Schoenberg and Igor Stravinsky, who he presents as dialectically opposed to one another in terms of their musical styles, techniques and directions. Adorno's readings, especially of Schoenberg, continue to cause controversy and disagreement among musicians, music lovers and philosophers today. As always with Adorno, a wide range of social cultural, philosophical and political questions are raised in the process of his critique making the reader see the form and function of music in startling new ways. The book also covers other renowned composers including Wagner, Bach and Mozart. This is landmark work of philosophy that has shaped the way we think about music today.
Categories: Philosophy

Night Music

Night Music

Collected in their entirety for the first time in English, these insightful texts show the breadth of Adorno's musical understanding and reveal an overlooked side to this significant thinker"--Back cover.

Author: Theodor W. Adorno

Publisher:

ISBN: 0857427091

Category: Music

Page: 328

View: 346

Categories: Music

Sound Figures

Sound Figures

Theodor Adorno is one of the 20th century's most influential thinkers in the areas of social theory, philosophy, aesthetics and music. This volume of essays contains Adorno's thoughts on music and its wider social implications.

Author: Theodor W. Adorno

Publisher: Stanford University Press

ISBN: 0804735581

Category: Music

Page: 229

View: 942

Theodor Adorno is one of the 20th century's most influential thinkers in the areas of social theory, philosophy, aesthetics and music. This volume of essays contains Adorno's thoughts on music and its wider social implications.
Categories: Music

Introduction to the Sociology of Music

Introduction to the Sociology of Music

An eminent philosopher of music defines the sociology of music, explores modes of musical conduct, and deals with popular and chamber music, opera, and the relation of music to public opinion

Author: Theodor W. Adorno

Publisher: Burns & Oates

ISBN: STANFORD:36105042274824

Category: Education

Page: 233

View: 601

An eminent philosopher of music defines the sociology of music, explores modes of musical conduct, and deals with popular and chamber music, opera, and the relation of music to public opinion
Categories: Education

Philosophy of New Music

Philosophy of New Music

In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the US to a devastated Europe by writing 'Philosophy of New Music'.

Author: Theodor W. Adorno

Publisher:

ISBN: UOM:39015064692760

Category: Music

Page: 208

View: 256

In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the US to a devastated Europe by writing 'Philosophy of New Music'. This translation emerges as an indispensable key to the whole of Adorno's illustrious and influential oeuvre.
Categories: Music

Mahler

Mahler

Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original.

Author: Theodor W. Adorno

Publisher: University of Chicago Press

ISBN: 9780226076300

Category: Music

Page: 188

View: 539

Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in musical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music.
Categories: Music

Current of Music

Current of Music

Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume.

Author: Theodor W. Adorno

Publisher: Polity

ISBN: 0745642861

Category: Music

Page: 480

View: 481

Fleeing the Nazis, Theodor W. Adorno lived in New York City as a refugee from 1938 until 1941. During these years, he was intensively involved in a study of how the recently developed techniques for the nation-wide transmission of music over radio were transforming the perception of music itself. This broad ranging radio research was conceived as nothing less than an investigation, partly empirical, of Walter Benjamin's speculative claims for the emancipatory potential of art in the age of its mechanical reproduction. The results of Adorno's project set him decisively at odds with Benjamin's theses and at the same time became the body of thinking that formed the basis for Adornos own aesthetics in his Philosophy of New Music. Current of Music is the title that Adorno himself gave to this research project. For complex reasons, however, Adorno was not able to bring the several thousands of pages of this massive study, most of it written in English, to a final form prior to leaving New York for California, where he would immediately begin work with Max Horkheimer on the Dialectic of Enlightenment. Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adorno's project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume. Current of Music will be widely discussed for the light it throws on the development of Adorno's thought, on his complex relationship with Walter Benjamin, but most of all for the important perspectives it provides on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.
Categories: Music

Towards a Theory of Musical Reproduction

Towards a Theory of Musical Reproduction

In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true ...

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

ISBN: 9780745692760

Category: Philosophy

Page: 304

View: 296

At the beginning of his career in the 1920s, Adorno sketched a planto write a major work on the theory of musical reproduction, a taskhe returned to time and again throughout his career but nevercompleted. The choice of the word reproduction as opposed tointerpretation indicates a primary supposition: that there is aclearly defined musical text whose precision exceeds what isvisible on the page, and that the performer has the responsibilityto reproduce it as accurately as possible, beyond simply playingwhat is written. This task, according to Adorno, requires adetailed understanding of all musical parameters in theirhistorical context, and his reflections upon this task lead to afundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards aTheory of Musical Reproduction, one finds Adorno constantlycircling around an irresolvable paradox: interpretation can onlyfail the work, yet only through it can musics true essence becaptured. While he at times seems more definite in hispronouncement of a musical scores absolute value just as a book isread silently, not aloud his discourse repeatedly displays hisinability to cling to that belief. It is this quality ofuncertainty in his reflections that truly indicates the scope ofthe discourse and its continuing relevance to musical thought andpractice today.
Categories: Philosophy

Beethoven

Beethoven

Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived.

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

ISBN: 9780745692456

Category: Social Science

Page: 288

View: 470

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived. Adorno identifies three periods in Beethoven's work, arguing that the thematic unity of the first and second periods begins to break down in the third. Adorno follows this progressive disintegration of organic unity in the classical music of Beethoven and his contemporaries, linking it with the rationality and monopolistic nature of modern society. Beethoven will be welcomed by students and researchers in a wide range of disciplines - philosophy, sociology, music and history - and by anyone interested in the life of the composer.
Categories: Social Science

Apparitions

Apparitions

Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, ...

Author: Berthold Hoeckner

Publisher: Routledge

ISBN: 9781135577728

Category: Music

Page: 248

View: 530

Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz.
Categories: Music

After Adorno

After Adorno

This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life.

Author: Tia DeNora

Publisher: Cambridge University Press

ISBN: 1139440942

Category: Social Science

Page:

View: 940

Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology' this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device and reworks Adorno's focus through a series of grounded examples.
Categories: Social Science

Adorno s Aesthetics of Music

Adorno s Aesthetics of Music

An introduction to T. W. Adorno's aesthetics and sociology of music.

Author: Max Paddison

Publisher: Cambridge University Press

ISBN: 0521626080

Category: Music

Page: 378

View: 519

An introduction to T. W. Adorno's aesthetics and sociology of music.
Categories: Music

On Popular Music

 On Popular Music

Author: Theodor W. Adorno

Publisher:

ISBN: OCLC:20324795

Category: Popular music

Page: 52

View: 428

Categories: Popular music

Philosophy of Modern Music

Philosophy of Modern Music

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

Author: Theodor W. Adorno

Publisher: New York : Seabury Press

ISBN: UOM:39076006077627

Category: Music

Page: 220

View: 574

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.
Categories: Music

Composing for the Films

Composing for the Films

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors.

Author: Theodor W. Adorno

Publisher: A&C Black

ISBN: 0826480160

Category: Social Science

Page: 171

View: 440

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.
Categories: Social Science

The Dialectics of Music

The Dialectics of Music

By following the outermost mediations between nature, history, and technology, the book reflects on how advanced music critically responds to the ongoing catastrophe of both the Middle Passage and Auschwitz.

Author: Joseph Weiss

Publisher: Bloomsbury Publishing

ISBN: 9781350174979

Category: Philosophy

Page: 200

View: 565

Combining the philosophy and musicology of T.W. Adorno, Walter Benjamin, and Gilles Deleuze, alongside an exploration of the dialectical character of music production, Joseph Weiss exposes the unresolved contradictions of contemporary music. By following the outermost mediations between nature, history, and technology, the book reflects on how advanced music critically responds to the ongoing catastrophe of both the Middle Passage and Auschwitz. Following what the author calls the “categorical imperative” of music, Weiss investigates the significance of a wide range of musical phenomena including the territorialization of the lullaby, the improvisation and sorrow song of the blues and jazz, as well as the cosmological limits of the electroacoustic avant-garde. In the era of commodity production, racialized violence and dispossession, the author defends critical music as a singular index of political possibilities.
Categories: Philosophy