Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts.
Author: Steve Edwards
Publisher: Tate Enterprises Ltd
This is the third of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists.
Through carefully chosen themes and topics rather than through a general survey, this title approaches the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts.
Author: Steve Edwards
Through carefully chosen themes and topics rather than through a general survey, this title approaches the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. It includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating.
This book provides over 2,000 Exam Prep questions and answers to accompany the text Art & Visual Culture 1850-2010 Items include highly probable exam items: Anagnorisis, Roman mythology, Amulius, Omphalos, Pegasus, Allegory, Oral Tradition, ...
This isthefirstofthree books in the series Art & Visual Culture, which
togetherformthe main texts of an Open University ... VisualCulture 1600–1850:
Academyto AvantGarde, edited by EmmaBarker Art & Visual Culture 1850–2010:
Modernity to ...
Author: Kim W. Woods
Publisher: Tate Enterprises Ltd
The first of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.
A History of Visual Culture is a history of ideas. The recent explosion of interest in visual culture suggests the phenomenon is very recent. But visual culture has a history.
Author: Jane Kromm
Publisher: Berg Publishers
A History of Visual Culture is a history of ideas. The recent explosion of interest in visual culture suggests the phenomenon is very recent. But visual culture has a history. Knowledge began to be systematically grounded in observation and display from the Enlightenment. Since them, from the age of industrialization and colonialism to today's globalized world, visual culture has continued to shape our ways of thinking and of interpreting the world. Carefully structured to cover a wide history and geography, A History of Visual Culture is divided into themed sections: Revolt and Revolution; Science and Empiricism; Gaze and Spectacle; Acquisition, Display, and Desire; Conquest, Colonialism, and Globalization; Image and Reality; Media and Visual Technologies. Each section presents a carefully selected range of case studies from across the last 250 years, designed to illustrate how all kinds of visual media have shaped our technology, aesthetics, politics and culture.
The books inthis Art &VisualCulture series are: Art & Visual Culture1100–1600:
Medieval to Renaissance, edited by Kim ... 84976 0966 (paperback) ISBN 9781
84976 1093(ebook) Art & Visual Culture 1850–2010: Modernity to Globalisation,
Author: Emma Barker
Publisher: Tate Enterprises Ltd
The second of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics, including "Baroque Rome", "Dutch Painting of the Golden Age", "Georgian London", the "Paris Salon", and the impact of the discovery of the South Pacific.
(2013), Art and Visual Culture 1850—2010: Modernity to Globalisation, London:
Tate Publishing. Elkins, J. (1999), The Domain of Images, Ithaca, NY: Cornell
University Press. Evans, J. and Hall, S., eds. (1999), Visual Culture: The Reader,
Author: John Armitage
Publisher: Bloomsbury Publishing
From couture fashion to opulent perfumes and decadent food, the luxury goods and services industry has grown at an unprecedented rate even in the context of a global recession. But in contemporary digital culture does luxury still reside in material things, or rather the look of things? In this first study of luxury through the lens of visual culture, Armitage argues that luxury is undergoing a shift from material culture to the immaterial culture of the visual, offering new forms of luxury engagement and unparalleled levels of pleasure never before offered to the senses. Calling for a new understanding of luxury in the changing visual landscape of contemporary society, Luxury and Visual Culture embraces an extraordinary range of cultural forms, including fashion, photography, social media, television, and art. From the masterpieces of Damien Hirst and Jeff Koons, to Richard Avedon's photography and Louis Vuitton's Flagship stores, the book explores key issues of globalization, digitization, consumer identity, “mass” luxury, and the role of art. This text is ideal for all students of contemporary luxury studies, as well as scholars and researchers in the field of visual culture.
2010. “G ́erˆome and Ethnographic Realism at the Salon of 1857.” In
Reconsidering G ́erôme, edited by Scott Allan and Mary Morton, 106–118. Los
Angeles, CA: Getty ... In Art and Visual Culture 1850–2010. Modernity to
Globalisation, edited ...
Author: Pam Meecham
Publisher: John Wiley & Sons
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
European Hats in Ewe Visual Culture, 1850–1950” In Nii O. Quarcoopome, ed.,
Through African Eyes: The European in ... Art Journal, vol. 47, no. 2, 88–94.
Richard, François G. (2010). “Recharting Atlantic Encounters. Object Trajectories
Author: Gitti Salami
Publisher: John Wiley & Sons
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Author: David Peters CorbettPublish On: 2013-02-22
Simon Faulkner teaches the history of art and visual culture at Manchester
Metropolitan University. ... of Visual Culture and Decolonisation in Britain (2006)
and (with James Aulich and Lucy Burke) of The Politics of Cultural Memory (
forthcoming, 2010). ... (Ashgate, 2004) and coeditor (with Anne Helmreich) of The
Rise of the Modern Art Market in London 1850–1939 (Manchester University
Author: David Peters Corbett
Publisher: John Wiley & Sons
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
The essays in this book, all previously unpublished, are written by scholars from various disciplines, many of whom have been at the forefront of this transformation.
Author: John Barrell
Publisher: Oxford University Press, USA
In recent years the study of British art, especially of the eighteenth and nineteenth centuries, has been transformed. This has been the result of a general awareness of the theoretical issues involved in the study of culture and society, and the new emphasis given to the questions of class, race, and gender, which has produced a new, interdisciplinary approach to the study of British art. The essays in this book, all previously unpublished, are written by scholars from various disciplines, many of whom have been at the forefront of this transformation. There are essays on Gainsborough, Joseph Wright of Derby, Turner and Benjamin Robert Haydon; on the teaching of art to women, on eighteenth-century social theories of painting, and on the representation of industrial landscape, of femininity, and of "exotic" and oriental cultures. The result is a book which will be of equal interest to scholars and students of the history of art, literature, social history, cultural studies, and women's studies.
Cooper, Frederick, 'Africa and the World Economy', African Studies Review, 24/2
–3 (1981). ... Inikori, Joseph, 'Africa and the Globalization Process: Western Africa
, 1450–1850', Journal of Global History, 2/1 (2007). Jerven, Morten, 'African
Growth Recurring: An Economic History Perspective on African Growth Episodes,
1690–2010', ... PART V ARTS AND THE MEDIA CHAPTER 23 VISUAL CULTURES.
Author: John Parker
Publisher: OUP Oxford
The Oxford Handbook of Modern African History represents an invaluable tool for historians and others in the field of African studies. This collection of essays, produced by some of the finest scholars currently working in the field, provides the latest insights into, and interpretations of, the history of Africa - a continent with a rich and complex past. An understanding of this past is essential to gain perspective on Africa's current challenges, and this accessible and comprehensive volume will allow readers to explore various aspects - political, economic, social, and cultural - of the continent's history over the last two hundred years. Since African history first emerged as a serious academic endeavour in the 1950s and 1960s, it has undergone numerous shifts in terms of emphasis and approach, changes brought about by political and economic exigencies and by ideological debates. This multi-faceted Handbook is essential reading for anyone with an interest in those debates, and in Africa and its peoples. While the focus is determinedly historical, anthropology, geography, literary criticism, political science and sociology are all employed in this ground-breaking study of Africa's past.
In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years.
Author: Marcus Wood
Publisher: OUP Oxford
Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora.
The present volume is a first attempt to chart the early modern translations of Peri hupsous, both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, ...
Author: Caroline A. van Eck
Category: Literary Criticism
The present volume is a first attempt to chart the early modern translations of Peri hupsous, both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts from 1500 to 1800.
Literature from Japan's Mega-City, 1750-1850 Sumie Jones, Kenji Watanabe.
University, Thailand ... TIMON SCREECH is professor and chair of the history of art at the School of Oriental and African Studies, the University of London. He is
the author of many books on Edo visual culture. Most recent is his ... His chief
work on Kitasono Katue is Shredding the Tapestry of Meaning (1999, in
Author: Sumie Jones
Publisher: University of Hawaii Press
Category: Literary Criticism
During the eighteenth century, Edo (today’s Tokyo) became the world’s largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in an accessible volume highlighting the city life of Edo. Edo’s urban consumers demanded visual presentations and performances in all genres. Novelties such as books with text and art on the same page were highly sought after, as were kabuki plays and the polychrome prints that often shared the same themes, characters, and even jokes. Popular interest in sex and entertainment focused attention on the theatre district and “pleasure quarters,” which became the chief backdrops for the literature and arts of the period. Gesaku, or “playful writing,” invented in the mid-eighteenth century, satirized the government and samurai behavior while parodying the classics. These entertaining new styles bred genres that appealed to the masses. Among the bestsellers were lengthy serialized heroic epics, revenge dramas, ghost and monster stories, romantic melodramas, and comedies that featured common folk. An Edo Anthology offers distinctive and engaging examples of this broad range of genres and media. It includes both well-known masterpieces and unusual examples from the city’s counterculture, some popular with intellectuals, others with wider appeal. Some of the translations presented here are the first available in English and many are based on first editions. In bringing together these important and expertly translated Edo texts in a single volume, this collection will be warmly welcomed by students and interested readers of Japanese literature and popular culture.
This book defines diagrams as tools manipulated by users to produce new kinds of understanding and demonstrates that a modern diagrammatic knowledge emerged in eighteenth-century visual culture to become the foundation of later nineteenth ...
Author: John Bender
Publisher: Stanford University Press
This book defines diagrams as tools manipulated by users to produce new kinds of understanding and demonstrates that a modern diagrammatic knowledge emerged in eighteenth-century visual culture to become the foundation of later nineteenth-century science.
Literature, Urbanism, and the Visual Arts, 1890-1940 Christoph Lindner ...
Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York (
New York: Oxford University Press, 2010); William Chapman Sharpe, New York
Nocturne: The City after Dark in Literature, Painting, and Photography, 1850–
1950 (Princeton, NJ: Princeton University Press, 2008); Max Page, ... Edward W.
Soja, Postmetropolis: Critical Studies of Cities and Regions (Oxford: Blackwell,
Author: Christoph Lindner
Publisher: Oxford University Press
Using examples from architecture, film, literature, and the visual arts, this wide-ranging book examines the significance of New York City in the urban imaginary between 1890 and 1940. In particular, Imagining New York City considers how and why certain city spaces-such as the skyline, the sidewalk, the slum, and the subway-have come to emblematize key aspects of the modern urban condition. In so doing, Christoph Lindner also considers the ways in which cultural developments in the late nineteenth and early twentieth centuries set the stage for more recent responses to a variety of urban challenges facing the city, such as post-disaster recovery, the renewal of urban infrastructure, and the remaking of public space.
This perceptive, wide-ranging book surveys the applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social, and commercial contexts in which the relationship developed. This substantially revised and expanded second edition offers several new features, including: an updated and expanded timeline and bibliography; inclusion of more recent trends and perspectives in design; a larger section on contemporary design; and more discussion of designed artifacts in relation to interior's rather than as stand alone 'objects, ' to promote discussion of lifestyles and the experience of design by users. -- Book Jacket.
A Present for Mr. Oscar Wilde (London: Serpent's Tail, 1988); Matt Cook, London
and the Culture of Homosexuality, 1885–1914 ... The Problem of Artistic Visibility
and its Homosocial Performances in Late Nineteenth-Century London,” Visual Culture in Britain 8, no. ... Space, Place and Sex: Geographies of Sexualities (
Lanham, MA: Rowman and Littlefield, 2010); Rob Kitchin, “Sexing the City: The ...
15.Katherine V. Snyder, Bachelors, Manhood, and the Novel, 1850–1925 (
Author: Graeme Brooker
Publisher: A&C Black
The Handbook of Interior Architecture and Design offers a compelling collection of original essays that seek to examine the shifting role of interior architecture and interior design, and their importance and meaning within the contemporary world. Interior architecture and interior design are disciplines that span a complexity of ideas, ranging from human behaviour and anthropology to history and the technology of the future. Approaches to designing the interior are in a constant state of flux, reflecting and adapting to the changing systems of history, culture and politics. It is this process that allows interior design to be used as evidence for identifying patterns of consumption, gender, identity and social issues. The Handbook of Interior Architecture and Design provides a pioneering overview of the ideas and arrangements within the two disciplines that make them such important platforms from which to study the way humans interact with the space around them. Covering a wide range of thought and research, the book enables the reader to investigate fully the changing face of interior architecture and interior design, while offering questions about their future trajectory.