FICTION Letter from Casablanca Stories by Antonio Tabucchi TRANSLATED BY JANICE M. THRESHER The eight stories contained in Antonio Tabucchi's Letter from Casablanca introduce to an American audience a rising Italian writer ( born 1943 ) ...
Author: Antonio Tabucchi
Publisher: New Directions Publishing
Short stories deal with topics including a mother's reminiscences of her son, life in a F. Scott Fitzgerald novel, and the reversal of art and life
21 “Mr. Wallis would like you”: Wallis Office, memo of December 22, 1941, to Irene Lee, box 1, folder 1881A (“Casablanca” Story Memos 12/22/41– 4/21/42), WBA. 22 “we can get a good”: Aeneas McKenzie, memo of January 3, 1942, ...
Author: Noah Isenberg
Publisher: Faber & Faber
Category: Performing Arts
Casablanca is "not one movie," Umberto Eco once quipped, "it is 'movies'". Released in 1942, the film won 4 Oscars, including Best Picture and featured unforgettable performances by Humphrey Bogart and Ingrid Bergman. The book offers a rich account of the film's origins, the myths and realities behind its production, and the reasons it remains so revered today. Through extensive research and interviews with film-makers, Noah Isenberg explores he ways in which the film continues to dazzle audiences and saturate popular culture 75 years after its release.
Thus one is tempted to read Casablanca as T.S. Eliot read Hamlet , attributing its fascination not to the fact that it ... He viewed Hamlet as the result of an unsuccessful fusion of several earlier versions of the story , and so the ...
Author: David Lodge
Publisher: Pearson Education
The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories.
Many of the refugees, Burnett noted, were en route to Casablanca in French Morocco, from where they hoped to board a plane to Lisbon and then another to the United States. It was a dramatic story, and Burnett dabbled in drama.
Author: Steven Mintz
Publisher: John Wiley & Sons
Fully revised, updated, and extended, this compilation of interpretive essays and primary documents teaches students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history Ten new articles which consider recently released films, as well as issues of gender and ethnicity Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film Fourth edition includes completely new images throughout
Trauma, Narrative, and History Cathy Caruth. café Casablanca, in which this scene takes place, cannot but be understood as an allusion to the American classic of 1942, Casablanca, a World War II film that centers on a café in Casablanca ...
Author: Cathy Caruth
Publisher: JHU Press
Category: Literary Criticism
The pathbreaking work that founded the field of trauma studies. In Unclaimed Experience, Cathy Caruth proposes that in the widespread and bewildering experience of trauma in our century—both in its occurrence and in our attempt to understand it—we can recognize the possibility of a history no longer based on simple models of straightforward experience and reference. Through the notion of trauma, she contends, we come to a new understanding that permits history to arise where immediate understanding may not. Caruth explores the ways in which the texts of psychoanalysis, literature, and literary theory both speak about and speak through the profound story of traumatic experience. Rather than straightforwardly describing actual case studies of trauma survivors, or attempting to elucidate directly the psychiatry of trauma, she examines the complex ways that knowing and not knowing are entangled in the language of trauma and in the stories associated with it. Caruth’s wide-ranging discussion touches on Freud’s theory of trauma as outlined in Moses and Monotheism and Beyond the Pleasure Principle. She traces the notion of reference and the figure of the falling body in de Man, Kleist, and Kant; the narratives of personal catastrophe in Hiroshima mon amour; and the traumatic address in Lecompte’s reinterpretation of Freud’s narrative of the dream of the burning child. In this twentieth-anniversary edition of her now classic text, a substantial new afterword addresses major questions and controversies surrounding trauma theory that have arisen over the past two decades. Caruth offers innovative insights into the inherent connection between individual and collective trauma, on the importance of the political and ethical dimensions of the theory of trauma, and on the crucial place of literature in the theoretical articulation of the very concept of trauma. Her afterword serves as a decisive intervention in the ongoing discussions in and about the field.
Movement , whether that of histories or of stories , makes pictures make sense . To know Casablanca , the observer must note the patterns of its abrupt contrasts between frenzied motion and collected composure , then listen to the ...
Author: Susan Ossman
Publisher: Univ of California Press
Category: Social Science
In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux. Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media. From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state.
5 This change not only alters the tone of the story, but also impacts on the soundtrack, and as a consequence, the film incorporates original music written for Casablanca by Max Steiner. Not only is this heard during the opening scene ...
Author: Adam Harvey
This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.
had also lived in Casablanca for a time, gave the story a more romantic flavor. In his elegant turn of phrase, he described a pair of French lovers—a French general's daughter, and a twenty-year-old nobody—“In those days there was ...
Author: Yoram Bilu
Publisher: Wayne State University Press
Category: Biography & Autobiography
Without Bounds illuminates the life of the mysterious Rabbi Ya'aqov Wazana, a Jewish healer who worked in the Western High Atlas region in southern Morocco and died there in the early 1950s. Impressed by his healing powers and shamanic virtuosity, Moroccan Jews are intrigued by his lifestyle and contacts with the Muslim and the demonic worlds that dangerously blurred his Jewish identity. Based on interviews with Moroccan Jews conducted in the late 1980s, Without Bounds proposes multiple readings of Wazana's life. Yoram Bilu re-creates the influences and important moments in Wazana's life and evaluates his character from psychological and anthropological perspectives. Human- and demon-bound, holy and impure, Jew and Muslim, old and young, Rabbi Ya'aqov Wazana dissolved the boundaries of the major social categories in Morocco and integrated them into his identity.
The making of Casablanca “Can I tell you a story?” Ilse asks. Then she adds: “I don't know the finish yet.” Rick says: “Well, go on, tell it. Maybe one will come to you as you go along.” Rick's line is a sort of epitome of Casablanca ...
Author: Mathijs, Ernest
Publisher: McGraw-Hill Education (UK)
Category: Performing Arts
"An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies." Science Fiction Film and Television "A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK "It's about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in The Cult Film Reader will satisfy even the most ravenous zombie's desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves." Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair "The Cult Film Reader is a great film text book and a fun read." John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jackson's Thriller "Excellent overview of the subject, and a comprehensive collection of significant scholarship in the field of cult film. Very impressive and long overdue." Steven Rawle, York St John University, UK Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ‘weird world cinema’, cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world’s unruliest images. This book is the world’s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences. With editors’ introductions to the volume and to each section, the book is divided into four clear thematic areas of study – The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption – to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings. Written in a lively and accessible style, The Cult Film Reader dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include Casablanca, The Rocky Horror Picture Show, Eraserhead, The Texas Chainsaw Massacre, Showgirls and Ginger Snaps. Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall; Umberto Eco; Nezih Erdogan; Welch Everman; John Fiske; Barry Keith Grant ; Joan Hawkins; Gary Hentzi; Matt Hills; Ramaswami Harindranath; J.Hoberman; Leon Hunt; I.Q. Hunter; Mark Jancovich; Henry Jenkins; Anne Jerslev; Siegfried Kracauer; Gina Marchetti; Tom Mes; Gary Needham; Sheila J. Nayar; Annalee Newitz; Lawrence O’Toole; Harry Allan Potamkin; Jonathan Rosenbaum; Andrew Ross; David Sanjek; Eric Schaefer; Steven Jay Schneider; Jeffrey Sconce; Janet Staiger; J.P. Telotte; Parker Tyler; Jean Vigo; Harmony Wu
... 183, 195 Lelicau, Madeleine (Yvonne in Casablanca), 122, 125 Lcderman, Ross (second unit director of Casablanca), 171 Lee, Irene (Warner Bros, story editor), 37, 42 Leicester, James (montage editor for Casablanca), 175-76 Leland, ...
Author: Harlan Lebo
Publisher: Simon and Schuster
Category: Performing Arts
Interviews, behind-the-scenes details, photographs, correspondences, and notes provide an overview of the production of the motion picture "Casablanca." Includes cast list, credits, and reviews.