and exchanged a brief greeting, Charlotte felt an impulse to declare herself, admit the game was up and ask him to ... nor was Dominique in the least affected by the lesions and unresolved knots of Charlotte Gray's childhood: she had ...
Author: Sebastian Faulks
Faulks's first novel since the extraordinary success of Birdsong is written with the same passion, power and breadth of vision. Set in England and France during the darkest days of World War II, Charlotte Gray, like Birdsong, depicts a complex love affair that is both shaped and thwarted by war. It is 1942. London is blacked out, but France is under a greater darkness, as the occupying Nazi forces encroach ever closer in a tense waiting game. Charlotte Gray, a volatile but determined young woman, travels south from Edinburgh. Working in London, she has a brief but intense love affair with an RAF pilot. When his plane is lost over France, she contrives to go there herself to work in the Resistance and to search for him--but then is unwilling to leave as she finds that the struggle for the country's fate is intimately linked to her own battle to take control of her life. Faulks's novel is an examination of lost paradises, politics without belief, the limits of memory, the redemptive power of art and the existence of hope beyond reason. It is also a brilliant evocation of life in Occupied France and, more significantly, a revelation of the appalling price many Frenchmen paid to survive in unoccupied, so-called Free France. As the men, women and children of Charlotte's small town prepare to meet their terrible destiny, the truth of what took place in wartime France is finally exposed. When private lives and public events fatally collide, the roots of the characters' lives are torn up and exposed. These harrowing scenes are presented with the passion and narrative force that readers will recall from Birdsong. Charlotte Gray will attract even more readers to Faulks's remarkable fiction.
CHARLOTTE GRAY. Novel and motion picture. Charlotte Gray, a wartime story of the Special Operations Executive (SOE), is the sixth novel by the acclaimed author Sebastian Faulks; following The Girl at the Lion d'Or (1989) and Birdsong ...
Author: Alan Burton
Publisher: Rowman & Littlefield
Category: Performing Arts
The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.
In a recent book entitled Great Questions of Canada, Charlotte Gray and Peter Newman answer the question, “Where have all the heroes gone?” Their responses deal with both the emotional and the geographical makeup of Canadian society.
Author: Suzanne Evans
Publisher: McGill-Queen's Press - MQUP
Category: Family & Relationships
Suzanne Evans finds commonalities between the many images of war mothers - the Canadian Silver Cross mother, the ancient Jewish Maccabean mother of seven martyred sons, the mother of a Palestinian suicide bomber. She compares the lore about mothers of martyrs in the Judeo-Christian, Muslim, and Sikh traditions with stories of World War I Canadian mothers who were depicted in the media as having sacrificed their sons for the sake of civilization, justice, freedom, and God. After the war these mothers were honoured with the Silver Cross medal. Evans argues that, like the mothers of past martyrs, the image of the war-supportive mother in Canada had a powerful influence over public opinion and drew supporters to the cause.
Directed in 2001 by Gillian Armstrong and starring Cate Blanchett and Billy Crudup, Charlotte Gray could hardly be more different. The high-profile international movie was a coproduction between the U.K., Australia and Germany; ...
Author: Lucy Mazdon
Publisher: Berghahn Books
Category: Performing Arts
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of 'le cinéma British', or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary 'extreme' French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.
VALBERG IMAGING CHARLOTTE GRAY, one of Canada's pre-eminent biographers and historians, has won the prestigious Pierre Berton Award for a body of historical writing, the Edna Staebler Award for Creative Non- Fiction, the Ottawa Book ...
Author: Charlotte Gray
Publisher: Simon and Schuster
What does it mean to be a Canadian? What great ideas have changed our country? An award-winning writer casts her eye over our nation’s history, highlighting some of our most important stories. From the acclaimed historian Charlotte Gray comes a richly rewarding book about what it means to be Canadian. Readers already know Gray as an award-winning biographer, a writer who has brilliantly captured significant individuals and dramatic moments in our history. Now, in The Promise of Canada, she weaves together masterful portraits of nine influential Canadians, creating a unique history of our country. What do these people—from George-Étienne Cartier and Emily Carr to Tommy Douglas, Margaret Atwood, and Elijah Harper—have in common? Each, according to Charlotte Gray, has left an indelible mark on Canada. Deliberately avoiding a top-down approach to history, Gray has chosen Canadians—some well-known, others less so—whose ideas, she argues, have become part of our collective conversation about who we are as a people. She also highlights many other Canadians from all walks of life who have added to the ongoing debate, showing how our country has reinvented itself in every generation since Confederation, while at the same time holding to certain central beliefs. Beautifully illustrated with evocative black-and-white historical images and colorful artistic visions, and written in an engaging style, The Promise of Canada is a fresh, thoughtful, and inspiring view of our historical journey. Opening doors into our past, present, and future with this masterful work, Charlotte Gray makes Canada’s history come alive and challenges us to envision the country we want to live in.
Since Birdsong Faulks has published Charlotte Gray (1998) and On Green Dolphin Street (2001). In Charlotte Gray he is (perhaps too clearly) trying to use a narrative set in the Second World War to investigate the same kind of ...
Author: Nick Rennison
Featuring a broad range of contemporary British novelists from Iain Banks to Jeanette Winterson, Louis de Bernieres to Irvine Welsh and Salman Rushdie, this book offers an excellent introductory guide to the contemporary literary scene. Each entry includes concise biographical information on each of the key novelists and analysis of their major works and themes. Fully cross-referenced and containing extensive guides to further reading, Fifty Contemporary British Novelists is the ideal guide to modern British fiction for both the student and the contemporary fiction buff alike.
Just fancy often joined us for an hour or two , a detective police - officer , hardened , and more than once listened with apcynicized by the wear and tear of five parent interest - Miss Charlotte Gray and - twenty years ' experience in ...
Charlotte snarled and held on. There followed a truly awful moment where both parents pulled, little arms stretched, the binky fell to the floor, and the child began to screech, turning heads in the tavern. The struggle went on, Gray ...
Author: John Galligan
Publisher: Simon and Schuster
The Dog is in Livingston, Montana, daydreaming about fishing the Stone and, as usual, subsisting on Swisher Sweets, vodka-Tang, and the hope that pretending to forget will be enough. He's forged a few tenuous friendships, and now finds himself watching from the bank as troubled local girl Jesse Ringer leads D'Ontario Sneed into the swift current of young love. It's sweet, really . . . but some of the locals object to the relationship on the basis of Sneed's skin color. Then the unthinkable: vibrant, wild Jesse is found shot in the head, and Sneed is passed out in her car, gun beside him, window seams taped, and engine running. Sneed is hospitalized for severe carbon monoxide poisoning and can't string together a sentence to defend himself, so it falls to the Dog. If only the Dog could run from his life without ending up in the tangle and snarl of the lives of others. A man who wants to lose himself in the current must be careful of his backcast; it'll always keep him tethered to a life he's trying to forget.
Yet despite their contrasting reputations, suggestive affinities between Morvern Callar and Charlotte Gray abound. Both films are directed by prominent female artists. Both are intimately associated with figures whose international ...
Author: Jonathan Murray
Publisher: Bloomsbury Publishing
Category: Performing Arts
From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film.
NOTES 1 See <http://www.charlottegray.ca/charlotte_gray.php?f=books&s=sisters>. 2 Reviews posted on Charlotte Gray's own website, all favourable, include those from the Ottawa Citizen, Edmonton Journal, National Post, Times Literary ...
Author: David R. Jarraway
Publisher: University of Ottawa Press
Category: Literary Collections
Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.