More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.

Author: Eugene Nulman

Publisher: Routledge

ISBN: 9781000407655

Category: Social Science

Page: 152

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Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time... In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.

How COVID-19 Will Change the Nation's Long-term Economic Trends, According to Brookings Metro 2022, from Brookings Acholars. ... Coronavirus Capitalism Goes to the Cinema. Oxon, UK: Routledge. Oke, A. E., Aigbavboa, C. O., ...

Author: Anthony Larsson

Publisher: Taylor & Francis

ISBN: 9781000636055

Category: Business & Economics

Page: 315

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Are pandemics the end of cities? Or, do they present an opportunity for us to reshape cities in ways making us even more innovative, successful and sustainable? Pandemics such as COVID-19 (and comparable disruptions) have caused intense debates over the future of cities. Through a series of investigative studies, Designing Smart and Resilient Cities for a Post-Pandemic World: Metropandemic Revolution seeks to critically discuss and compare different cases, innovations and approaches as to how cities can utilise nascent and future digital technology and/or new strategies in order to build stronger resilience to better tackle comparable large-scale pandemics and/or disruptions in the future. The authors identify ten separate societal areas where future digital technology can impact resilience. These are discussed in individual chapters. Each chapter concludes with a set of proposed "action points" based on the conclusions of each respective study. These serve as solid policy recommendations of what courses of action to take, to help increase the resilience in smart cities for each designated area. Securing resilience and cohesion between each area will bring about the metropandemic revolution. This book features a foreword by Nobel laureate Peter C. Doherty and an afterword by Professor of Urban Technologies, Carlo Ratti. It provides fresh and unique insights on smart cities and futures studies in a pandemic context, offers profound reflections on contemporary societal functions and the needs to build resilience and combines lessons learned from historical pandemics with possibilities offered by future technology.

... Beatriz Padilla and Simon Pemberton 311 The Home in the Digital Age Antonio Argandoña, Joy Malala and Richard C. Peatfield 312 Coronavirus Capitalism Goes to the Cinema Eugene Nulman 313 Suicide Social Dramas Moral Breakdowns in the ...

Author: Yunsong Chen

Publisher: Routledge

ISBN: 9781000412345

Category: Social Science

Page: 272

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Chen, He and Yan present a range of applications of multiple-source big data to core areas of contemporary sociology, demonstrating how a theory-guided approach to macrosociology can help to understand social change in China, especially where traditional approaches are limited by constrained and biased data. In each chapter of the book, the authors highlight an application of theory-guided macrosociology that has the potential to reinvigorate an ambitious, open-minded and bold approach to sociological research. These include social stratification, social networks, medical care, and online behaviours among many others. This research approach focuses on macro-level social process and phenomena by using quantitative models to statistically test for associations and causalities suggested by a clearly hypothesised social theory. By deploying theory-oriented macrosociology where it can best assure macro-level robustness and reliability, big data applications can be more relevant to and guided by social theory. An essential read for sociologists with an interest in quantitative and macro-scale research methods, which also provides fascinating insights into Chinese society as a demonstration of the utility of its methodology.

311 The Home in the Digital Age Antonio Argandon~na, Joy Malala and Richard C. Peatfield 312 Coronavirus Capitalism Goes to the Cinema Eugene Nulman 313 Suicide Social Dramas Moral Breakdowns in the Israeli Public Sphere Haim Hazan and ...

Author: Valérie de Courville Nicol

Publisher: Routledge

ISBN: 9781000418750

Category: Social Science

Page: 326

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Showing how Americans have massively turned to a self-help empowerment model to manage chronic feelings of insecurity, Anxiety in Middle-Class America explains why no group has ever been as anxious about anxiety and interested in tackling it as a moral and personal problem. Anxiety is the focus of increasing preoccupation and intervention in middle-class America and the late modern world. It is reportedly the most common mental illness in the United States, affecting almost a quarter of its adult population every year. Views diverge on what this means. This work is for readers who are intrigued by the exponential rise in reported rates of anxiety across the lifespan and by all the talk about anxiety, dissatisfied with non-sociological and symptom-based accounts of mental health, and open-minded enough to consider the self-help phenomenon as more than an oppressive craze driven by capitalist industry, neoliberal ideology, complicit publishers, formulaic writers, and irreflexive consumers. In providing a sociologically informed account of some of the most widespread emotional troubles of late modern life and the unique historical pressures that promote them, this work will be of interest to researchers in a broad range of fields, from sociology, anthropology, and mind/body/society studies, to cultural history, communications, and social philosophy. It will also interest mental health professionals and cultural critics.

... Beatriz Padilla and Simon Pemberton 311 The Home in the Digital Age Antonio Argandoña, Joy Malala and Richard C. Peatfield 312 Coronavirus Capitalism Goes to the Cinema Eugene Nulman 313 Suicide Social Dramas Moral Breakdowns in the ...

Author: Chris Beasley

Publisher: Routledge

ISBN: 9781317961765

Category: Social Science

Page: 236

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Internet Dating deals primarily with the experiences of UK and Australian daters, examining their online accounts to see what kinds of narratives, norms, emotions and ‘chemistry’ shape their dating. Has the emergence and growth of internet dating changed the dating landscape for the better? Most commentators, popular and academic, ask whether online dating is more efficient for individuals than offline dating. We prefer a socio-political perspective. In particular, the book illustrates the extent to which internet dating can advance gender and sexual equality. Drawing on the voices of internet daters themselves, we show that internet dating reveals how social change often arises in the unassuming, everyday and familiar. We also pay attention to often ignored older daters and include consideration of daters in Africa, Scandinavia, South America, Asia and the Middle East. Throughout, we explore the pitfalls and pleasures of men and women daters navigating unconventional directions towards more equitable social relations.

... Beatriz Padilla and Simon Pemberton 311 The Home in the Digital Age Antonio Argandoña, Joy Malala and Richard C. Peatfield 312 Coronavirus Capitalism Goes to the Cinema Eugene Nulman 313 Suicide Social Dramas Moral Breakdowns in the ...

Author: Mariusz Finkielsztein

Publisher: Routledge

ISBN: 9781000418866

Category: Social Science

Page: 238

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Introducing the notion of boredom into the academic context, Boredom and Academic Work proposes a fresh sociological perspective on boredom and academic work alike. It invites a reader to reflect on the essence of boredom and the nature of academic work from the sociological perspective. It constitutes methodological and conceptual guidance for all those interested in their own emotions both at work and outside. It also provides an original, interactional and essential definition of boredom and a novel standpoint for observing academic work, both in its systemic and practical level, and shows how the academic system influences its subjects' well-being, motivation, emotions, and practices. Covering various approaches from the qualitative methodology, linguistics, sociology of work, emotions, and higher education, and telling a story of research and teaching university staff, the book will be of interest to researchers in a broad range of areas and the general academic public as well.

... Beatriz Padilla and Simon Pemberton 6 The Home in the Digital Age Antonio Argandoña, Joy Malala and Richard C. Peatfield 7 Coronavirus Capitalism Goes to the Cinema Eugene Nulman 8 Suicide Social Dramas Life-Giving Moral Breakdowns ...

Author: Haim Hazan

Publisher: Routledge

ISBN: 9781000411591

Category: Social Science

Page: 184

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Through an ethnohistorical chronicling of the emotionally-laden treatment of selected suicide media-events, this book offers a neo-Durkheimean account of suicide, addressing its social-moral threat and the ensuing need to gloss over its unsettling incomprehensibility. An analysis of the social dramas, cultural performances, and suicide talk aired in the Israeli public sphere, it suggests that such public glossing practices atone for and bring about the symbolic rectification of the socially detrimental effects of suicide. Drawing on Durkheim’s thought on the social significance of suicide and the sacred cohesive power of society’s self-representations through rituals and commemorations, the authors revamp the contemporary pertinence of these cultural devices, showing how, in the process of reconstituting and redressing the disrupted order, suicide talk constitutes a revival mechanism of communal ‘life giving’. A rekindling of the Durkheimian approach to suicide that examines how society deals with suicide’s shattering of normative we-feelings, Suicide Social Dramas: Moral Breakdowns in the Israeli Public Sphere will appeal to scholars and students of sociology and anthropology with interests in social theory, Israel studies, suicide studies, and the interpretation of societal and cultural processes.

Beth Tsai focuses on Taiwan, a country that, at the time of writing, was almost unaffected by Covid-19: most fes- ... “Never let a good crisis go to waste” or “never waste a good crisis” is a popular attitude in (crisis) management.

Author: Marijke de Valck

Publisher: Springer Nature

ISBN: 9783031141713

Category: Performing Arts

Page: 351

View: 458

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This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.

2, 2000 Behaviors and traumas shaped in slavery are blended throughout American culture, like a coronavirus that ... shaped the American variants of all modes of production, particularly American capitalism, providing a contrast between ...

Author: Satyananda J. Gabriel

Publisher: Routledge

ISBN: 9781315098708

Category: Business & Economics

Page: 214

View: 669

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Political Economy Goes to the Movies provides an introduction to political economy using a wide range of popular films and documentaries as the objects of analysis. The work helps readers to understand and analyze the economic and related political, cultural, and ecological relationships depicted in selected films. This is achieved through the lens of past and present economic theories and in the context of debates over the dynamic influence of economics on individual life chances. Film may have more to teach us about the real world than the abstractions of certain economic theories. A world of income inequality, child labor in mills and mines, local rebellions against land seizures, and wars triggered by economic conflicts provide the context for many films mirroring real world events. Some films depict the interacting and intersecting political, economic, cultural, and ecological contexts within and between variant economic relationships, whereas other films show “catastrophes” such as economic depressions, disruptive social transitions, violent revolutions, and existential environmental degradation – a world in disequilibrium. Films allow us to see a panoply of human social relationships and related problems, even to explore cataclysmic moments in our species life, but not to necessarily see the why of these relationships and problems. Simultaneously, mainstream economics has severe constraints on what can be analyzed. Film exposes this weakness of the mainstream model. Twelve Years a Slave, Trumbo, The Big Short and others are analyzed for their realism by referencing documented historical social events, and behavioral economics provides further data for analyzing the realism of social interaction within the films. Exploring events and contexts absent from the typical economics text or the basic level economics classes, this work is essential reading for students and scholars of political economy in both economics and politics departments, as well as those of pluralist economics and Marxist economics.

Consumers have invested in complex home theater systems meant to remediate the filmgoing experience in the living room. ... imposition of difference between film and television is the US industry response to the COVID-19 pandemic, ...

Author: Jonathan Gray

Publisher: Routledge

ISBN: 9781351105958

Category: Social Science

Page: 150

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Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelops much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries.