Deleuze and the Schizoanalysis of Cinema

Deleuze and the Schizoanalysis of Cinema

This collection opens up a fresh field of inquiry for Deleuze scholars and poses an exciting challenge to cinema studies in general.

Author: Ian Buchanan

Publisher: Bloomsbury Publishing

ISBN: 9781441101754

Category: Philosophy

Page: 176

View: 638

In 1971, Deleuze and Guattari's collaborative work, Anti-Oedipus: Capitalism and Schizophrenia caused an international sensation by fusing Marx with a radically rewritten Freud to produce a new approach to critical thinking, which they provocatively called "schizoanalysis." Deleuze and the Schizoanalysis of Cinema explores the possibilities of using this concept to investigate cinematic works in both the Hollywood and non-Hollywood tradition. It attempts to define what a schizoanalysis of cinema might be and introduces a variety of ways in which a schizoanalysis might be applied. This collection opens up a fresh field of inquiry for Deleuze scholars and poses an exciting challenge to cinema studies in general. Featuring some of the most important cinema studies scholars working on Deleuze and Guattari today, Deleuze and the Schizoanalysis of Cinema is a cutting edge collection that will set the agenda for future work in this area. Contributors include: Gregory Flaxman, Amy Herzog, Joe Hughes, Gregg Lambert, Patricia MacCormack, Bill Marshall, David Martin-Jones, Elena Oxman, Patricia Pisters, Anna Powell and Mark Riley.
Categories: Philosophy

Critical Excess

Critical Excess

8. For valuable studies of Deleuze's work on cinema, see also Bogue, Deleuze on Cinema; Rodowick, Gilles Deleuze's Time Machine; Kennedy, Deleuze and Cinema; and Buchanan and MacCormack (eds.), Deleuze and the Schizoanalysis of Cinema.

Author: Colin Davis

Publisher: Stanford University Press

ISBN: 9780804763066

Category: Literary Criticism

Page: 217

View: 926

This lucidly written book looks at the interpretative audacity of five major "overreaders"Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj i ek and Stanley Cavelland asks what is at stake and what is to be gained by their approaches to literature and film."
Categories: Literary Criticism

Schizoanalysis and Visual Culture

Schizoanalysis and Visual Culture

Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze's aesthetic and philosophical ...

Author: Phillip Roberts

Publisher:

ISBN: 074864637X

Category: Literary Criticism

Page: 96

View: 218

Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze’s cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze’s aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus – cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze’s thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze’s cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze’s third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images.
Categories: Literary Criticism

Deleuze and the Schizoanalysis of Feminism

Deleuze and the Schizoanalysis of Feminism

Karkov , N. ( 2016 ) , “ Why Pluralism = Pluralism Monism : A Decolonial Feminist Critique of Deleuze and Guattari's Concept of Becoming Deleuze Studies 10 ( 3 ) ... Deleuze and the Schizoanalysis of Cinema , 102-15 , London : Continuum .

Author: Cheri Carr

Publisher: Bloomsbury Publishing

ISBN: 9781350080423

Category: Social Science

Page: 304

View: 747

The schizoanalytic method and the lines of flight that it has inspired align with contemporary feminist concerns and practices in productive and revealing ways in this ground-breaking collection. To address the relevance of schizoanalysis for contemporary developments in new materialism, affect theory, transnational feminism, political ontology, feminist critiques of globalization and capitalism, feminist pedagogy, and ethics, the overarching questions explored are: What can schizoanalysis do for feminist theory? What would a feminist schizoanalysis look like? Is it possible to perform a schizoanalysis of feminism? How do schizoanalytic-feminist alliances create new ways of understanding the future, sexuality and bodily transformation, political resistance, new subjectivities, and ethical relationships? Highlighting the strength, richness, and diversity of feminist perspectives this collection shows how issues of re-conceiving desire, theorizing embodiment and materiality, interrogating the status of sexuality and difference, decentring feminist practice to be inclusive of transnational and de-colonial concerns, critiques of binary logic and gender, transversal politics, and the need for new political visions in light of advanced capitalism are all enhanced by this alliance.
Categories: Social Science

Afterimages of Gilles Deleuze s Film Philosophy

Afterimages of Gilles Deleuze s Film Philosophy

What does schizoanalysis ask? Nothing more than a bit of a relation to the outside, a little reality. —Gilles Deleuze and Félix Guattari, L'Anti-Oedipe1 Is a schizoanalysis of cinema possible? My instinct is to answer unreservedly, ...

Author: David Norman Rodowick

Publisher: U of Minnesota Press

ISBN: 9780816650064

Category: Performing Arts

Page: 396

View: 188

The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought. The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research. Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
Categories: Performing Arts

Deleuze and the Schizoanalysis of Literature

Deleuze and the Schizoanalysis of Literature

Schizoanalytic Applications Our goal with this series is to broaden the base of scholars interested in Deleuze and ... the Schizoanalysis of Cinema, edited by Ian Buchanan and Patricia MacCormack Deleuze and the Schizoanalysis of ...

Author: Ian Buchanan

Publisher: Bloomsbury Publishing

ISBN: 9781472523549

Category: Philosophy

Page: 244

View: 724

In 1972, the French theorists Deleuze and Guattari unleashed their collaborative project-which they termed schizoanalysis-upon the world. Today, few disciplines in the humanities and social sciences have been left untouched by its influence. Through a series of groundbreaking applications of Deleuze and Guattari's work to a diverse range of literary contexts, from Shakespeare to science fiction, this collection demonstrates how schizoanalysis has transformed and is transforming literary scholarship. Intended for upper-level undergraduates, postgraduates and scholars with an interest in continental philosophy, literary theory and critical and cultural theory, Deleuze and the Schizoanalysis of Literature is a cutting edge volume, featuring some of the most original voices in the field, setting the agenda for future research.
Categories: Philosophy

Deleuze Japanese Cinema and the Atom Bomb

Deleuze  Japanese Cinema  and the Atom Bomb

2.2, 2008: 121; Joe Hughes, 'Schizoanalysis and the Phenomenology of Cinema', in Deleuze and the Schizoanalysis of Cinema, eds Ian Buchanan and Patricia MacCormack (New York: Continuum, 2008), 15–26; and Patricia Pisters, ...

Author: David Deamer

Publisher: Bloomsbury Publishing USA

ISBN: 9781441149091

Category: Performing Arts

Page: 344

View: 108

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Categories: Performing Arts

Deleuze and Film

Deleuze and Film

Deleuze, G. (1989), Cinema 2: The Time-Image, trans. ... 'Schizoanalysis, Spectacle and the Spaghetti Western', in I. Buchanan and P. MacCormack (eds), Deleuze and the Schizoanalysis of Cinema, London and New York: Continuum, pp. 75–88.

Author: David Martin-Jones

Publisher: Edinburgh University Press

ISBN: 9780748650910

Category: Performing Arts

Page: 248

View: 277

Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and
Categories: Performing Arts

Deleuze and World Cinemas

Deleuze and World Cinemas

Also available from Continuum: Anti-Oedipus, Gilles Deleuze and Felix Guattari A Thousand Plateaus, Gilles Deleuze ... Joe Hughes Deleuze and the Meaning of Life, Claire Colebrook Deleuze and the Schizoanalysis of Cinema, Ian Buchan and ...

Author: David Martin-Jones

Publisher: Bloomsbury Publishing

ISBN: 9781441102201

Category: Philosophy

Page: 288

View: 401

Shortlisted for the British Association of Film, Television and Screen Studies Annual Book Award! Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of understanding cinema, his conclusions often seem strikingly Eurocentric. Deleuze and World Cinemas explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Méliès to Michael Mann) and a range of world cinemas - including Bollywood blockbusters, Hong Kong action movies, Argentine melodramas and South Korean science fiction movies. These emergent encounters demonstrate the need for the constant adaptation and reinterpretation of Deleuze's findings if they are to have continued relevance, especially for cinema's contemporary engagement with the aftermath of the Cold War and the global dominance of neoliberal globalization.
Categories: Philosophy

Hitchcock and the Cinema of Sensations

Hitchcock and the Cinema of Sensations

Gilles Deleuze, 'On The Time image' in Negotiations trans. Martin Joughin (New York, 1990). 34. Gilles Deleuze, Francis Bacon: The Logic of Sensation trans. Daniel Smith (London, 2004). 35. Gregg Lambert, 'Schizoanalysis and Cinema of ...

Author: Paul Elliott

Publisher: Bloomsbury Publishing

ISBN: 9780857720283

Category: Performing Arts

Page: 248

View: 426

When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.
Categories: Performing Arts