Dracula Opera Erotica

Dracula   Opera Erotica

In contemplation we are all capable of anything .

Author: Hayden Wayne

Publisher: CreateSpace

ISBN: 1515258769

Category:

Page: 392

View: 645

In contemplation we are all capable of anything ... If we freeze these moments we find ourselves enacting upon every possibility while in the process of deciding whether to fulfill or simply muse. Thus, in this frozen state everything is real. When one considers that we can dwell in these thoughts for as long as we wish, and the enactment of life is a continuum of micro seconds, reality becomes more the illusion. The fantasy before and the memory after is larger and carries more weight because of the additional time involved.
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Dracula Opera Erotica

Dracula  Opera Erotica

In contemplation we are all capable of anything .

Author: Hayden Wayne

Publisher: CreateSpace

ISBN: 1489544240

Category: Music

Page: 284

View: 256

In contemplation we are all capable of anything ... If we freeze these moments we find ourselves enacting upon every possibility while in the process of deciding whether to fulfill or simply muse. Thus, in this frozen state everything is real. When one considers that we can dwell in these thoughts for as long as we wish, and the enactment of life is a continuum of micro seconds, reality becomes more the illusion. The fantasy before and the memory after is larger and carries more weight because of the additional time involved
Categories: Music

Dracula Opera Erotica the Unwillingness to Leave Our Dreams

Dracula  Opera Erotica     the Unwillingness to Leave Our Dreams

In contemplation we are all capable of anything .

Author: Hayden Wayne

Publisher: Createspace Independent Publishing Platform

ISBN: 1534984313

Category:

Page: 338

View: 874

In contemplation we are all capable of anything ... If we freeze these moments we find ourselves enacting upon every possibility while in the process of deciding whether to fulfill or simply muse. Thus, in this frozen state everything is real. When one considers that we can dwell in these thoughts for as long as we wish, and the enactment of life is a continuum of micro seconds, reality becomes more the illusion. The fantasy before and the memory after is larger and carries more weight because of the additional time involved.
Categories:

Dracula Opera Erotica

Dracula  Opera Erotica

In contemplation we are all capable of anything .

Author: Hayden Wayne

Publisher: Createspace Independent Pub

ISBN: 1461041007

Category: Fiction

Page: 74

View: 505

In contemplation we are all capable of anything ... If we freeze these moments we find ourselves enacting upon every possibility while in the process of deciding whether to fulfill or simply muse. Thus, in this frozen state everything is real. When one considers that we can dwell in these thoughts for as long as we wish, and the enactment of life is a continuum of micro seconds, reality becomes more the illusion. The fantasy before and the memory after is larger and carries more weight because of the additional time involved
Categories: Fiction

Music in the Horror Film

Music in the Horror Film

12 Billedasagothic soap opera,the show introduced the vampire Barnabas Collinsinits second season. ... 16 Whereas The Hunger pullstogethermusic from divergent sources and styles, Bram Stoker's Dracula relies upon a musical scorebyone ...

Author: Neil Lerner

Publisher: Routledge

ISBN: 9781135280437

Category: Music

Page: 256

View: 472

Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.
Categories: Music

Music Sound and Silence in Buffy the Vampire Slayer

 Music  Sound  and Silence in Buffy the Vampire Slayer

matched); and the entire game of turning an episode of a long-running serial into a musical.13 This first number is ... as its poetic/erotic girl stuff is of a piece with the kind of “womyn's music” that would not be out of place at ...

Author: JanetK. Halfyard

Publisher: Routledge

ISBN: 9781351557016

Category: Music

Page: 304

View: 457

The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show's imaginative and widely varied use of music, sound, and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides an exemplary overview of the functions of music and sound in the interpretation of a television show. This is done through analyses that focus on scoring and source music, the title theme, the music production process, the critically acclaimed musical episode (voted number 13 in Channel Four's One Hundred Greatest Musicals), the symbolic and dramatic use of silence, and the popular reception of the show by its international fan base. In keeping with contemporary trends in the study of popular musics, a variety of critical approaches are taken from musicology, cultural studies, and media and communication studies, specifically employing critique, musical analysis, industry studies, and hermeneutics.
Categories: Music

Dracula and the Gothic in Literature Pop Culture and the Arts

Dracula and the Gothic in Literature  Pop Culture and the Arts

Some critics went as far as to propose a fetishist reading of both Dracula and The Phantom of the Opera, the stiff poses of Lugosi and Chaney used consciously ... Classical music provides the only accompaniment in Tod Browning's movie.

Author:

Publisher: BRILL

ISBN: 9789004308060

Category: Literary Criticism

Page: 356

View: 268

This volume provides a critical reappraisal of Stoker’s Dracula by examining various adaptations of the book, as well as different literary, cinematic, theatrical, cultural, artistic and creative reworkings of the Gothic.
Categories: Literary Criticism

The Hutchinson Concise Dictionary of Music

The Hutchinson Concise Dictionary of Music

Moore , Jerrold Northrop 428 intended to burn down his alma mater and was followed by the chamber opera Let's Build a Nut House 1969 . ... He directed the West Coast Music Ensemble and taught the San Francisco Conservatory .

Author: Barrie Jones

Publisher: Taylor & Francis

ISBN: 1579581781

Category: Music

Page: 762

View: 984

The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived.
Categories: Music

NEON a Street Opera ACTS I and II Chamber Orchestra

NEON  a Street Opera  ACTS I and II Chamber Orchestra

NEON (a street opera) is theatre noir.

Author: Hayden Wayne

Publisher: Createspace Independent Publishing Platform

ISBN: 1523637900

Category:

Page: 382

View: 609

NEON (a street opera) is theatre noir. In the metaphysical sense ... out of the darkness a blade of grass pushes up through the concrete. In the literal, it is simply: Terry, a young saxophone player working the streets for tips to survive, meets Evie, a spunky young runaway from Houston. They are mutually attracted to each other but she soon finds herself wooed by the Barker's incantations. He was a former lover and Evie slips into the darker side of life in order to protect Terry from him. Frustrated and hurting, Terry continues playing on the street until he successfully auditions for a band that is about to record and tour. His newly acquired success finds him back in the city, ironically, playing in a very posh room of a super modern hotel not too far from where he used to play for tips on the street. He is haunted by the memory of Evie and searches for her. Finding her, he offers her a way out. But her insecurity about what she has become in her own eyes is too much and in a vulnerable moment overdoses on heroin and dies in Terry's arms. INSTRUMENTATION 26 personnel CONDUCTOR/piano/synthesizer Yamaha DX7 2 (program bank #2 cartridge #21) for electric organ, (program "A" bank internal #5) for Tynes Rhodes KEYBOARD #2 (synthesizer Proteus 1 for string augmentation (program #001), guitar mutes (program #173), marimba (program #180), vibraphone (program #12), Proteus 2 for concert organ (program #063) and KORG M3R for distorted guitar (fretted instrument card program #00) and Roland 8 for sound effects (program sound effects card SN-R8-03) WOODWIND #1: Alto saxophone, Bb Clarinet, Flute WOODWIND #2: Alto saxophone, Bb Clarinet, Flute, Oboe, English horn WOODWIND #3: Tenor saxophone, Bb Clarinet, Flute WOODWIND #4: Baritone saxophone, Bass clarinet, Flute Horns 1 & 2 Trumpets 1 & 2 Tenor Trombone Tuba Percussion #1: trap set including high, medium and low suspended crash cymbals, ride cymbal, hi hat, snare, high, medium and low tom toms, kick Percussion #2: concert crash cymbals, glockenspiel, tubular bell ("A flat"), guiro, high, medium and low conga, sand blocks, Proteus 1 synthesizer (program #077) for steel drums 1st Violins 1, 2, & 3 2nd Violins 1, 2, & 3 Violas 1 & 2 Celli 1 & 2 Basses 1 & 2 (#2 also doubling on Fender type electric bass
Categories:

NEON a Street Opera ACTS III and IV Chamber Orchestra

NEON  a Street Opera  ACTS III and IV Chamber Orchestra

NEON (a street opera) is theatre noir.

Author: Hayden Wayne

Publisher: Createspace Independent Publishing Platform

ISBN: 1523638052

Category:

Page: 186

View: 958

NEON (a street opera) is theatre noir. In the metaphysical sense ... out of the darkness a blade of grass pushes up through the concrete. In the literal, it is simply: Terry, a young saxophone player working the streets for tips to survive, meets Evie, a spunky young runaway from Houston. They are mutually attracted to each other but she soon finds herself wooed by the Barker's incantations. He was a former lover and Evie slips into the darker side of life in order to protect Terry from him. Frustrated and hurting, Terry continues playing on the street until he successfully auditions for a band that is about to record and tour. His newly acquired success finds him back in the city, ironically, playing in a very posh room of a super modern hotel not too far from where he used to play for tips on the street. He is haunted by the memory of Evie and searches for her. Finding her, he offers her a way out. But her insecurity about what she has become in her own eyes is too much and in a vulnerable moment overdoses on heroin and dies in Terry's arms. INSTRUMENTATION 26 personnel CONDUCTOR/piano/synthesizer Yamaha DX7 2 (program bank #2 cartridge #21) for electric organ, (program "A" bank internal #5) for Tynes Rhodes KEYBOARD #2 (synthesizer Proteus 1 for string augmentation (program #001), guitar mutes (program #173), marimba (program #180), vibraphone (program #12), Proteus 2 for concert organ (program #063) and KORG M3R for distorted guitar (fretted instrument card program #00) and Roland 8 for sound effects (program sound effects card SN-R8-03) WOODWIND #1: Alto saxophone, Bb Clarinet, Flute WOODWIND #2: Alto saxophone, Bb Clarinet, Flute, Oboe, English horn WOODWIND #3: Tenor saxophone, Bb Clarinet, Flute WOODWIND #4: Baritone saxophone, Bass clarinet, Flute Horns 1 & 2 Trumpets 1 & 2 Tenor Trombone Tuba Percussion #1: trap set including high, medium and low suspended crash cymbals, ride cymbal, hi hat, snare, high, medium and low tom toms, kick Percussion #2: concert crash cymbals, glockenspiel, tubular bell ("A flat"), guiro, high, medium and low conga, sand blocks, Proteus 1 synthesizer (program #077) for steel drums 1st Violins 1, 2, & 3 2nd Violins 1, 2, & 3 Violas 1 & 2 Celli 1 & 2 Basses 1 & 2 (#2 also doubling on Fender type electric bass
Categories: