Graphic Satire in the Soviet Union

Graphic Satire in the Soviet Union

In this new atmosphere of freedom, Russia’s satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons.

Author: John Etty

Publisher: Univ. Press of Mississippi

ISBN: 9781496820556

Category: Art

Page: 240

View: 473

After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia's satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons. He investigates the forms, production, consumption, and functions of Krokodil, focusing on the period from 1954 to 1964. Krokodil remained the longest-serving and most important satirical journal in the Soviet Union, unique in producing state-sanctioned graphic satirical comment on Soviet and international affairs for over seventy years. Etty's analysis of Krokodil extends and enhances our understanding of Soviet graphic satire beyond state-sponsored propaganda. For most of its life, Krokodil consisted of a sixteen-page satirical magazine comprising a range of cartoons, photographs, and verbal texts. Authored by professional and nonprofessional contributors and published by Pravda in Moscow, it produced state-sanctioned satirical comment on Soviet and international affairs from 1922 onward. Soviet citizens and scholars of the USSR recognized Krokodil as the most significant, influential source of Soviet graphic satire. Indeed, the magazine enjoyed an international reputation, and many Americans and Western Europeans, regardless of political affiliation, found the images pointed and witty. Astoundingly, the magazine outlived the USSR but until now has received little scholarly attention.
Categories: Art

Russian Culture in the Age of Globalization

Russian Culture in the Age of Globalization

Her research focus is on the post-Soviet right-wing intellectual milieu, the role of
the Orthodox Church in Russian politics, ... His forthcoming book Graphic Satire
in the Soviet Union: Krokodil's Political Cartoons explores the journal in relation
to ...

Author: Vlad Strukov

Publisher: Routledge

ISBN: 9781317235583

Category: Social Science

Page: 318

View: 153

This book brings together scholars from across a variety of disciplines who use different methodologies to interrogate the changing nature of Russian culture in the twenty-first century. The book considers a wide range of cultural forms that have been instrumental in globalizing Russia. These include literature, art, music, film, media, the internet, sport, urban spaces, and the Russian language. The book pays special attention to the processes by which cultural producers negotiate between Russian government and global cultural capital. It focuses on the issues of canon, identity, soft power and cultural exchange. The book provides a conceptual framework for analyzing Russia as a transnational entity and its contemporary culture in the globalized world.
Categories: Social Science

Religion And Modernization In The Soviet Union

Religion And Modernization In The Soviet Union

According to the official rhetoric, as the Soviet Union draws closer to the ultimate
communist society, defects in the ... An observation once made about political
cartooning in the USA--"Graphic satire is a kind of journalistic totem pole of our ...

Author: Dennis J. Dunn

Publisher: Routledge

ISBN: 9781000309577

Category: History

Page: 414

View: 347

To the surprise of many students of the Soviet Union, religion has shown itself to be a force still powerful in Soviet society. In contrast, the impact of religion in developed Western societies has declined. Dr. Dunn points out that the study of this antinomy can shed light on the entire concept of "modernization" in the U.S.S.R. The study of the
Categories: History

Devastation and Laughter

Devastation and Laughter

26 Satirical Press in the Soviet Union Except for the few exceptions mentioned in
the first part of this chapter, there were ... in Russia before the period of the New
Economic Policy (NEP, 1921–28) that followed the Civil War.27 Graphic satire ...

Author: Annie Gérin

Publisher: University of Toronto Press

ISBN: 9781487502430

Category: Art

Page: 288

View: 587

In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.
Categories: Art

Soviet Literature

Soviet Literature

The other play which must be mentioned is Besim Levonja ' s The Governor , a
graphic satirical presentation of the ... in the struggle against the Italian and
German fascist invaders ; they sing of the Soviet Union and of Stalin , the great
friend of ...

Author:

Publisher:

ISBN: UOM:39015069055070

Category: Russian literature

Page:

View: 929

Categories: Russian literature

Art in the U S S R Architecture Sculpture Painting Graphic Arts Theatre Film Crafts

Art in the U  S  S  R   Architecture  Sculpture  Painting  Graphic Arts  Theatre  Film  Crafts

He endeavours to place the the building of Soviet dirigibles made it his object in
unusual , at times even fantastic purpose to convey in full the idea of the
conditions , in order to bring out in sharper boundless territory of the Soviet Union
over relief the basic significance of the cartoon ... Izvestia , the oldest Soviet
containing the best posters and cartoons of satirical magazine Krokodil , and in
the jourthe ...

Author: Charles Geoffrey Holme

Publisher:

ISBN: UOM:39015013664647

Category: Art

Page: 137

View: 768

Categories: Art

Painting Sculpture and Graphic Art in the U S S R

Painting  Sculpture and Graphic Art in the U S S R

Vsesoi︠u︡znoe obshchestvo kulʹturnoĭ svi︠a︡zi s zagranit︠s︡eĭ (Soviet
Union). POSTERS AND ... From the very beginning the artists resorted to satire
as a true means of giving the poster an emotional effect . A beginning was made
 ...

Author: Vsesoi︠u︡znoe obshchestvo kulʹturnoĭ svi︠a︡zi s zagranit︠s︡eĭ (Soviet Union)

Publisher:

ISBN: STANFORD:36105011915829

Category: Art

Page: 154

View: 422

Categories: Art

The Current Digest of the Soviet Press

The Current Digest of the Soviet Press

... 39 pr'5ss Industrial exhibition of free Hungary opens I:21, 39 proQ0ss;iz 300'ss
Traveling exhibit of graphic satire I:21, ... Polyana museum [Tolstoy] sov lit 5-'49
183-188 Pushkin landmarks sov lit 6-'49 190-193 Throughout Soviet Union sov ...

Author:

Publisher:

ISBN: MINN:319510013716029

Category: Russian newspapers

Page:

View: 850

Categories: Russian newspapers

Exhibition of Soviet Graphic Arts

Exhibition of Soviet Graphic Arts

In the graphic portrait , for instance , the artists displayed a heightened interest in
the features of the contemporary man . ... Numerous works on the history of the
revolutionary struggle of the peoples of the Soviet Union were displayed there by
such ... From the very first days of war , Soviet artists came out in defence of their
country by producing war posters , leaflets and many satirical drawings known as
 ...

Author:

Publisher:

ISBN: UIUC:30112068254041

Category: Graphic arts

Page: 54

View: 692

Categories: Graphic arts

The Death of Stalin

The Death of Stalin

The graphic novel that inspired the new Armando Iannucci movie which includes an all-star cast – Steve Buscemi, Simon Russell Beale, Jason Isaacs, Michael Palin, and Jeffrey Tambor.

Author: Fabien Nury

Publisher: Titan Comics

ISBN: 9781785863523

Category: Comics & Graphic Novels

Page: 122

View: 120

The graphic novel that inspired the new Armando Iannucci movie which includes an all-star cast – Steve Buscemi, Simon Russell Beale, Jason Isaacs, Michael Palin, and Jeffrey Tambor. Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke - the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened. A darkly comic tale about the power vacuum left behind by Stalin's death. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Calibri} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Calibri; min-height: 14.0px}
Categories: Comics & Graphic Novels

Graphic Agitation

Graphic Agitation

See also graphic symbolism Rivera , Diego , 16 Rock Against Racism , 52
Rockwell , Norman , 26 , 27 Rodchenko , Alexander , 17 ... 92 , 100 , 101 ; British
golden era of , 15 ; French golden era of , 15 - 16 ; modern British political satire
and cartoons , 48 - 9 , 49 , 50 . ... See also student demonstrations ; Vietnam War
, protest graphics of the ; Gulf War ( 1991 ) USSR ( Soviet Union ) , 31 , 33 ; the
break ...

Author: Liz McQuiston

Publisher: Phaidon Incorporated Limited

ISBN: UOM:39015033100184

Category: Art

Page: 240

View: 796

Contains primary source material.
Categories: Art

Komiks

Komiks

This volume covers the art form's origins in religious icon-making and book illustration, and later the immensely popular lubok or woodblock print.

Author: José Alaniz

Publisher: Univ. Press of Mississippi

ISBN: 1604733675

Category: Literary Criticism

Page: 280

View: 428

José Alaniz explores the problematic publication history of komiks—an art form much-maligned as “bourgeois” mass diversion before, during, and after the collapse of the USSR— with an emphasis on the last twenty years. The book provides heretofore unavailable access to a rich artistry through unique archival research, interviews with major artists and publishers, and readings of several artists and works—many unknown in the West. The study examines the dizzying experimental comics work of the late Czarist and early revolutionary era, caricature from the satirical journal Krokodil, and the postwar series Petia Ryzhik (the “Russian Tintin”). Detailed case studies include the Perestroika-era KOM studio, the first devoted to comics in the Soviet Union; post-Soviet komiks in contemporary art; autobiography and the work of Nikolai Maslov; and women’s komiks by such artists as Lena Uzhinova, Namida and Re-I. Author José Alaniz examines issues such as anti-Americanism, censorship, the rise of consumerism, globalization (e.g., in Russian manga), the impact of the internet, and the hard-won establishment of a comics subculture in Russia. Komiks have often borne the brunt of ideological change—thriving in summers of relative freedom, freezing in hard winters of official disdain. This volume covers the art form’s origins in religious icon-making and book illustration, and later the immensely popular lubok or woodblock print. Alaniz reveals komiks’ vilification and marginalization under the Communists, the art form’s economic struggles, and its eventual internet “migration” in the post-Soviet era. This book shows, as many Russians expressed about their own experiences in the same era, that komiks never had a “normal life.”
Categories: Literary Criticism

Federal supplement First Series

Federal supplement   First Series

See , e . g . , " Jews in American norms and values in large post - industrial
Graphic Satire and Humor , ” Catalogue of ... The logical Quarterly 93 , 111 (
1970 ) ( ethnic Soviet Union , through its state - controlled jokes told by minority
groups ...

Author:

Publisher:

ISBN: UCAL:B4444007

Category:

Page:

View: 872

Categories:

Newsletter

Newsletter

Dr. Boiter is curator of the large archives of samizdat materials from the Soviet
Union maintained by Radio Liberty . ... Walter W. Arndt ( Professor of Russian
Languages and Literature , Dartmouth College ) : The verbal and graphic satire
of ...

Author: American Association for the Advancement of Slavic Studies

Publisher:

ISBN: UOM:39015051377250

Category: Slavic countries

Page:

View: 694

Categories: Slavic countries

Library of Congress Publications in Print

Library of Congress Publications in Print

... Romania ( 28 ) , Singapore ( 29 ) , South Korea ( 38 ) , the Soviet Union ( 30 ) ,
Sudan ( 44 ) , Uganda ( 40 ) , Uruguay ( 41 ) ... political commentary held in the
world ' s largest collection of graphic satire , caricatures , cartoons , and
allegories .

Author: Library of Congress

Publisher:

ISBN: UCAL:B4598943

Category: Government publications

Page:

View: 771

Categories: Government publications

Monographic Series

Monographic Series

Author: Library of Congress

Publisher:

ISBN: UIUC:30112024897610

Category: Children's literature in series

Page:

View: 886

Categories: Children's literature in series

Russian Revolutionary Posters

Russian Revolutionary Posters

King sets the posters in context and profiles the art directors whose vision played a vital role in creating these striking works.

Author: David King

Publisher: Tate

ISBN: 184976347X

Category: Art

Page: 144

View: 143

The tumultuous events of the Russian Revolution were matched by dramatic shifts in graphic art and design that continue to influence our visual landscape. David King, an internationally acclaimed graphic designer, selected the posters reproduced here from his own unparalleled collection. Constructivist posters, socialist advertising, and biting political satire are all represented, as are artists such as Alexander Rodchenko, El Lissitzky, and Gustav Klutsis. King sets the posters in context and profiles the art directors whose vision played a vital role in creating these striking works.
Categories: Art