How to Make Great Music Mashups

How to Make Great Music Mashups

Try to learn the difference between making a mashup for the benefit of the crowd and making a mashup just for the sake of it. Learn the difference between what's tasteful and what's overdone. If in doubt, just play the original song.

Author: Paul Zala

Publisher: Taylor & Francis

ISBN: 9781351606608

Category: Technology & Engineering

Page: 188

View: 675

Written for the beginner DJ, this accessible book presents everything you need to know in order to create great dance floor moments that will take your sets to the next level and get you noticed as a DJ. Using Ableton’s industry-leading digital audio workstation, the reader will learn to achieve a professional sound by expertly manipulating Warping, pitching, editing, automation and plugin effects processing; also, avoiding mistakes such as key-clashing, jarring transitions, mismatched energies and more. The book’s companion website includes key-charts, musical scale diagrams, organisational templates for live sessions, and follow-along video demonstrations.
Categories: Technology & Engineering

How to Make Great Music Mashups

How to Make Great Music Mashups

Written for the beginner DJ, this accessible book presents everything you need to know in order to create great dance floor moments that will take your sets to the next level and get you noticed as a DJ. Using Ableton's industry-leading ...

Author: Paul Zala

Publisher:

ISBN: 1138092762

Category: Technology & Engineering

Page: 188

View: 159

Written for the beginner DJ, this accessible book presents everything you need to know in order to create great dance floor moments that will take your sets to the next level and get you noticed as a DJ. Using Ableton's industry-leading digital audio workstation, the reader will learn to achieve a professional sound by expertly manipulating Warping, pitching, editing, automation and plugin effects processing; also, avoiding mistakes such as key-clashing, jarring transitions, mismatched energies and more. The book's companion website includes key-charts, musical scale diagrams, organisational templates for live sessions, and follow-along video demonstrations.
Categories: Technology & Engineering

Career Building Through Music Video and Software Mashups

Career Building Through Music  Video  and Software Mashups

Your first mashup will pale in comparison to Jour 100th. Your skills, by then, will showcase a seasoned editor and creative thinker. Don't stop at making just one or two great mashups. Make as many as you can.

Author: Holly Cefrey

Publisher: The Rosen Publishing Group, Inc

ISBN: 9781435847712

Category: Business & Economics

Page: 64

View: 950

A mashup is a Web site or application that combines content from multiple sources. This book teaches young people how to combine the technologies of Web music, video. and software to create their own applications and how to use their talents in pursuing a career.
Categories: Business & Economics

del icio us Mashups

del icio us Mashups

There was something deeper going on as well, and many began to recognize something truly unique and amazing in the way that ... Musical mashups have been around for a long time, arguably since the advent of modern mixing equipment.

Author: Brett O'Connor

Publisher: John Wiley & Sons

ISBN: 9780470147771

Category: Computers

Page: 381

View: 113

del.icio.us offers millions of Web users an online social network in which to collect, organize, and share their favorite web resources. Using an underlayer of tools offered by del.icio.us, you now have the potential to tap into this social network in order to expand your own website to a whole new array of possibilities. This book will help you make the most of these possibilities and encourages you to use your own innovative ideas to create something useful, unique, and even fun.
Categories: Computers

This is Not a Remix

This is Not a Remix

Remix began as a technique that was driven by the pleasures of the body—the desire to make a body move in time with ... to make good decisions about what aspects of song to alter or rearrange in order to find a new groove in the mix, ...

Author: Margie Borschke

Publisher: Bloomsbury Publishing USA

ISBN: 9781501318948

Category: Music

Page: 192

View: 469

Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet. Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility.
Categories: Music

The Oxford Handbook of Music and Virtuality

The Oxford Handbook of Music and Virtuality

Mashup music demonstrates that the construction of identity is both founded on and strengthened by an antagonist or “other”; ... If we expect Justin Bieber and Slipknot to have little in common, the mashup presents a successful virtual ...

Author: Sheila Whiteley

Publisher: Oxford University Press

ISBN: 9780190614041

Category: Music

Page: 720

View: 558

Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.
Categories: Music

Celeb 2 0

Celeb 2 0

... and Boston, “bootie” (short for bootleg) parties give mashup fans a unique music experience. San Francisco's Bootie, held since 2003, is the first and biggest mashup party in the United States and was honored as the “Best Mashup ...

Author: Kelli S. Burns

Publisher: ABC-CLIO

ISBN: 9780313356889

Category: Computers

Page: 212

View: 643

This volume looks at how the new capabilities of Web 2.0 are changing the worlds of celebrity fandom and gossip. * Chronologies chart the rise of celebrity entertainment reporting, celebrity journalists, reality television, and mash-up culture * Includes an index of key terms related to social networking as well as key players in social media development and social media celebrities
Categories: Computers

Play it Again Cover Songs in Popular Music

Play it Again  Cover Songs in Popular Music

Another distinguishing feature of mashup music is its underground, do-it- yourself nature that usually falls below the ... back to the year 1979 when the Sugar Hill Gang created new lyrics over the existing track of Chic's "Good Times.

Author: Professor George Plasketes

Publisher: Ashgate Publishing, Ltd.

ISBN: 9781409494003

Category: Music

Page: 280

View: 795

Covering—the musical practice of one artist recording or performing another composer's song—has always been an attribute of popular music. In 2009, the internet database Second Hand Songs estimated that there are 40,000 songs with at least one cover version. Some of the more common variations of this "appropriationist" method of musical quotation include traditional forms such as patriotic anthems, religious hymns such as Amazing Grace, Muzak's instrumental interpretations, Christmas classics, and children's songs. Novelty and comedy collections from parodists such as Weird Al Yankovic also align in the cover category, as does the "larcenous art" of sampling, and technological variations in dance remixes and mash-ups. Film and television soundtracks and advertisers increasingly rely on versions of familiar pop tunes to assist in marketing their narratives and products. The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works.The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.
Categories: Music

Keywords in Remix Studies

Keywords in Remix Studies

Moreover, the syncing of music mashups with corresponding archival video of musicians' performances have yielded an entirely new, hybrid remix artist: the “VJ.” The UK audio/video mashup group Eclectic Method combine footage of the ...

Author: Eduardo Navas

Publisher: Routledge

ISBN: 9781315516394

Category: Social Science

Page: 300

View: 885

Keywords in Remix Studies consists of twenty-four chapters authored by researchers who share interests in remix studies and remix culture throughout the arts and humanities. The essays reflect on the critical, historical and theoretical lineage of remix to the technological production that makes contemporary forms of communication and creativity possible. Remix enjoys international attention as it continues to become a paradigm of reference across many disciplines, due in part to its interdisciplinary nature as an unexpectedly fragmented approach and method useful in various fields to expand specific research interests. The focus on a specific keyword for each essay enables contributors to expose culture and society’s inconclusive relation with the creative process, and questions assumptions about authorship, plagiarism and originality. Keywords in Remix Studies is a resource for scholars, including researchers, practitioners, lecturers and students, interested in some or all aspects of remix studies. It can be a reference manual and introductory resource, as well as a teaching tool across the humanities and social sciences.
Categories: Social Science

Remix Theory The Aesthetics of Sampling

Remix Theory  The Aesthetics of Sampling

Those who can, go to concerts, but most people are likely to enjoy music as recordings on CDs and MP3s. When people hear their favorite songs mashed up, it is very likely that they will get excited and find pleasure in recognizing the ...

Author: Eduardo Navas

Publisher: Birkhäuser

ISBN: 9783990435007

Category: Architecture

Page:

View: 471

Sampling and remixing are now common in art, music and new media. Assessing their aesthetic qualities by focusing on technical advances in 1970s and 80s music, and later in art and media, the author argues that 'Remix' punches above its deemed cultural weight.
Categories: Architecture