Faludi sucht die Lösung dieses Rätsels in den Nischen ihrer Vorort-Kindheit und in den vielen Verkörperungen ihres Vaters: Jude im Budapest des Zweiten Weltkriegs, Abenteurer im Amazonasgebiet, All-American Dad und heute eine Frau, die ...
Author: Susan Faludi
Publisher: Deutscher Taschenbuch Verlag
Category: Biography & Autobiography
Das neue, große Buch der Pulitzer-Preisträgerin Die Nachricht trifft sie aus heiterem Himmel. Ihr Vater, mit dem sie kaum noch Kontakt hatte und der inzwischen wieder in seinem Heimatland Ungarn lebt, hatte eine Geschlechtsumwandlung vornehmen lassen. Welche Verbindung gibt es zwischen diesem neuen Elternteil, der sich nun "vollständig als Frau" identifiziert, und dem wortkargen, explosiven und teilweise gewalttätigen Vater, den sie kannte? Faludi sucht die Lösung dieses Rätsels in den Nischen ihrer Vorort-Kindheit und in den vielen Verkörperungen ihres Vaters: Jude im Budapest des Zweiten Weltkriegs, Abenteurer im Amazonasgebiet, All-American Dad und heute eine Frau, die ihr Judentum wiederentdeckt hat. Faludis Versuch, diese Metamorphose zu verstehen, lässt sie Grenzen überwinden – historische, politische, religiöse, sexuelle –, um sie schließlich zu der Frage unserer Zeit zu bringen: Ist Identität etwas, das wir wählen, oder ist Identität etwas, dem wir nicht entkommen können?
Rozi's preferred form of punishment, my father told Helga, was to lock her young son “in a dark room.” When I repeated some of these stories to my father, she dismissed them as “gossip” and “stupid things,” and refused to say more.
Author: Susan Faludi
Publisher: Metropolitan Books
Category: Biography & Autobiography
PULITZER PRIZE FINALIST ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR WINNER OF THE KIRKUS PRIZE From the Pulitzer Prize-winning journalist and bestselling author of Backlash, comes In the Darkroom, an astonishing confrontation with the enigma of her father and the larger riddle of identity consuming our age. “In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.” So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images? Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals. Faludi’s struggle to come to grips with her father’s metamorphosis takes her across borders—historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?
The surrealist photographers also manipulated their staged and found images by incorporating chance techniques in the darkroom , such as solarisation ( a flash of white light during the printing process ) and brulage which involved ...
Author: Anne Marsh
Publisher: Macmillan Education AU
Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances', the masking of desire' and high camp aesthetics' - through to performance art' and the role of the photographer as a gender terrorist' - as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory.
The preparation of a layout is the first step in building any darkroom. This section has been designed to make this preparation as fast and easy as possible. It consists of grids and cutout parts drawn to the approximate scale they will ...
Author: Joe DeMaio
Publisher: Taylor & Francis
How to put a darkroom almost anywhere in your home or apartment; do-it-yourself plans for the most essential darkroom components, cut-outs and design grids.
If the size of your darkroom warrants it, use a Thomas Sodium VaporDuplex Safelight. TEMPORARY. DARKROOMS. There are many small spaces thatcan be converted fordarkroom use:a bathroom,a closet, or storage shed inthe backyard.
Author: Steve Anchell
Publisher: Taylor & Francis
The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio. In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on: *Reversal processing *Enlarged negatives *Pyro formulas *Plus expanded sections on printing, pyro, and toning prints Also included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Saïd Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly. Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more! Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals. "With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels. -Tim Rudman, photographer and author "The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work. -John Sexton, photographer
Some emulsions also turn moldy. ... coat the paper: Store coated paper in the dark, until you have your ... dry the petals: Spread them out on newspaper in a dark room. Dryish petals, such as roses (Rosa centifolia), poppies (Papaver ...
Author: Malin Fabbri
Learn to make prints using plants – an environmentally safe process in this book dedicated to anthotypes. Includes a comprehensive reference section on plants. About the anthotype book It is possible to print photographs using nothing but juice extracted from the petals of flowers, the peel from fruits and pigments from plants. This book will show you how it is done, and expand your creative horizons with plenty of examples from artists working with anthotypes today. Anthotypes will simply make you look at plants in a whole new light. And, if that is not enough, anthotype is a totally environmentally friendly photographic process. From Malin Fabbri, author Anthotypes will make you look at plants in a whole new light. It will show you how to make photographs from the juice of flowers, fruits and plants, using a totally environmentally friendly photographic process. Anthotype is a very delicate photographic process and an environmentally friendly way of making prints using nothing other than the photosensitive material of plants found in the garden, the flower market or in the wild. All you need to add is water, sunshine, inspiration and patience – a lot of patience! The process is very basic and simple. Utilizing nature’s own coloring pigments from flower petals, berries, plants, vegetables or even spices, images are produced using the action of light. The natural pigment is used to create a photographic image. What could be better? Your impact on the natural environment is virtually non-existent, and you can carry out your art with a clear conscience. Anthotyping is the ultimate environmentally friendly photo process.
Author: Jasmuheen for the Embassy of PeacePublish On: 2011-10-01
There are deeper insights to this that I have gained in the dark-room experience, the shock and sadness of being crucified so long ago and feeling every moment of deep pain, the deep and physical pain that comes with the collapse of the ...
Author: Jasmuheen for the Embassy of Peace
Publisher: Lulu Press, Inc
This book contains insights gained over a four year period as Jasmuheen spends 40 days in total darkness, devoid of all external light and food. To Jasmuheen the darkroom space is a simulation of the Divine Mother’s womb, a space that in the profound silence teaches many things. Here Jasmuheen writes of her personal experiences of the Prana Program and a little of her own journey in learning how to be the true breatharian. The first retreat of 21 days was done with Mantak Chia principles of the Immortal’s Way. The downloads from 2005 and 2007, came through with her own groups as she takes them through an intense training in the prana program to teach of alternate nourishment. As a free e-book, an average of 2,000 copies have been downloaded every month for the last few years from her website, hence Jasmuheen has added more to this journal and now offers this more complete version of this experience as an educational book in paperback for those who cannot download e-Books from their own computer.
Darkroom. of. the. Map”. “The Darkroomofthe Map” (1931), Yi Sang's first Korean short story, is often considered to be his most difficult work. As the text opens, we are ledintothe labyrinthine mindofan insomniac named “Ri Sang,” but ...
Author: Yi Sang
Publisher: Literature Translation Institute of Korea
Category: Literary Collections
“The Darkroom of the Map” (1931), Yi Sang’s first Korean short story, is often considered to be his most difficult work. As the text opens, we are led into the labyrinthine mind of an insomniac named “Ri Sang,” but the prose is extremely experimental, even by Yi Sang’s iconoclastic standards. Most notably, the use of pronouns is highly ambiguous throughout. As a result, the narrator, the character Ri Sang, and his friend “K” often become impossible to distinguish. A sentence might begin with the narrator speaking, but by the end, the apparent words of the narrator have become Ri Sang’s thoughts.
Traditional reticulation in the wet darkroom is a burn- your-bridges, say-a-Hail-Mary, no-turning-back kind of affair because the effect is introduced as the film is being developed. Fortunately, Photoshop reticulation is not only much ...
Author: Katrin Eismann
Publisher: "O'Reilly Media, Inc."
Eismann is world known for her talent as a Photoshop expert and photographer, but above all she's considered one of the best teachers her field has ever seen. In this book she uses the tutorial approach that made her two previous Photoshop books bestsellers to take photographers beyond quick tips and gimmicky effects.