Key Concepts in Renaissance Literature

Key Concepts in Renaissance Literature

The volume provides readers with a clear introduction to English Renaissance literary texts.

Author: Malcolm Hebron

Publisher: Macmillan International Higher Education

ISBN: 9781137053428

Category: Literary Criticism

Page: 304

View: 314

The volume provides readers with a clear introduction to English Renaissance literary texts. Concise but detailed entries are alphabetically arranged, providing a coherent overview of central issues in the study of writings of the Renaissance era. Cross-referencing and suggestions for further reading indicate connections between topics.
Categories: Literary Criticism

Key Concepts in Modernist Literature

Key Concepts in Modernist Literature

Introducing the dynamic study of a literary period stretching from 1900 to the Second World War, the book reflects the exciting mix of European avant-garde, writers of the Harlem Renaissance and regional voices within Britain.

Author: Julian Hanna

Publisher: Macmillan International Higher Education

ISBN: 9781137021366

Category: Literary Criticism

Page: 192

View: 202

Introducing the dynamic study of a literary period stretching from 1900 to the Second World War, the book reflects the exciting mix of European avant-garde, writers of the Harlem Renaissance and regional voices within Britain. Three distinct sections explore the major concepts, themes and issues that characterise the literature.
Categories: Literary Criticism

The Renaissance Literature Handbook

The Renaissance Literature Handbook

The Renaissance Literature Handbook is a comprehensive introduction to literature and culture in the "English Renaissance" or "Early Modern" period.

Author: Susan Bruce

Publisher: A&C Black

ISBN: 9780826495006

Category: Literary Criticism

Page: 233

View: 178

Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including: • Introduction to authors, texts, historical and cultural contexts • Guides to key critics, concepts and topics • An overview of major critical approaches, changes in the canon and directions of current and future research • Case studies in reading literary and critical texts • Annotated bibliography (including websites), timeline, glossary of critical terms. The Renaissance Literature Handbook is a comprehensive introduction to literature and culture in the "English Renaissance" or "Early Modern" period.
Categories: Literary Criticism

Humanism Machinery and Renaissance Literature

Humanism  Machinery  and Renaissance Literature

... Drebbel cannily manipulates the device as a working model of Jacobean
political mystery , one that both appropriates and transforms its key concept of the
arcana imperii , or mysteries of state . An account of Drebbel's 1612
demonstration ...

Author: Jessica Wolfe

Publisher: Cambridge University Press

ISBN: 0521831873

Category: Literary Criticism

Page: 305

View: 439

Publisher Description
Categories: Literary Criticism

Handbook of English Renaissance Literature

Handbook of English Renaissance Literature

A final note on Shakespeare: unlike any earlier or later period in English studies,
the Renaissance is dominated in both ... Michael Hebron's Key Concepts in
Renaissance Literature (Houndmills/New York: Palgrave Macmillan, 2008) has
short ...

Author: Ingo Berensmeyer

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 9783110444889

Category: Literary Criticism

Page: 748

View: 673

This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
Categories: Literary Criticism

Key Concepts in Creative Writing

Key Concepts in Creative Writing

s Macmillan Key Concept Macmillan Key Concepts provide an accessible and
comprehensive range of subject ... in Postcolonial Literature Key Concepts in
Renaissance Literature Key Concepts in Victorian Literature Literary Terms and ...

Author: Matt Morrison

Publisher: Macmillan International Higher Education

ISBN: 9781137118967

Category: Language Arts & Disciplines

Page: 224

View: 141

A comprehensive writers' guide to the terminology used across the creative writing industries and in the major literary movements. Packed with practical tips for honing writing skills and identifying opportunities for publication and production, it also explains the workings of publishing houses, literary agencies and producing theatres.
Categories: Language Arts & Disciplines

Custom Common Law and the Constitution of English Renaissance Literature

Custom  Common Law  and the Constitution of English Renaissance Literature

This volume shows that during a time when novelty was suspect, even insurrectionary, appeals to the widespread understanding of custom as a legal concept justified a startling array of fictive experiments.

Author: Stephanie Elsky

Publisher: Oxford University Press

ISBN: 9780192605849

Category: Literary Criticism

Page: 240

View: 694

Custom, Common Law, and the Constitution of English Renaissance Literature argues that, ironically, custom was a supremely generative literary force for a range of Renaissance writers. Custom took on so much power because of its virtual synonymity with English common law, the increasingly dominant legal system that was also foundational to England's constitutionalist politics. The strange temporality assigned to legal custom, that is, its purported existence since 'time immemorial', furnished it with a unique and paradoxical capacity—to make new and foreign forms familiar. This volume shows that during a time when novelty was suspect, even insurrectionary, appeals to the widespread understanding of custom as a legal concept justified a startling array of fictive experiments. This is the first book to reveal fully the relationship between Renaissance literature and legal custom. It shows how writers were able to reimagine moments of historical and cultural rupture as continuity by appealing to the powerful belief that English legal custom persisted in the face of conquests by foreign powers. Custom, Common Law, and the Constitution of English Renaissance Literature thus challenges scholarly narratives in which Renaissance art breaks with a past it looks back upon longingly and instead argues that the period viewed its literature as imbued with the aura of the past. In this way, through experiments in rhetoric and form, literature unfolds the processes whereby custom gains its formidable and flexible political power. Custom, a key concept of legal and constitutionalist thought, shaped sixteenth-century literature, while this literature, in turn, transformed custom into an evocative mythopoetic.
Categories: Literary Criticism

Natural Law in English Renaissance Literature

Natural Law in English Renaissance Literature

A wide-ranging study of a concept which underpinned Renaissance literature and continues to absorb contemporary thinkers.

Author: R. S. White

Publisher: Cambridge University Press

ISBN: 052103289X

Category: Literary Criticism

Page: 308

View: 990

A wide-ranging study of a concept which underpinned Renaissance literature and continues to absorb contemporary thinkers.
Categories: Literary Criticism

Movement in Renaissance Literature

Movement in Renaissance Literature

This book investigates how writers and readers of Renaissance literature deployed ‘kinesic intelligence’, a combination of pre-reflective bodily response and reflective interpretation.

Author: Kathryn Banks

Publisher: Springer

ISBN: 9783319692005

Category: Literary Criticism

Page: 249

View: 590

This book investigates how writers and readers of Renaissance literature deployed ‘kinesic intelligence’, a combination of pre-reflective bodily response and reflective interpretation. Through analyses of authors including Petrarch, Rabelais, and Shakespeare, the book explores how embodied cognition, historical context, and literary style interact to generate and shape responses to texts. It suggests that what was reborn in the Renaissance was partly a critical sense of the capacities and complexities of bodily movement. The linguistic ingenuity of humanism set bodies in motion in complex and paradoxical ways. Writers engaged anew with the embodied grounding of language, prompting readers to deploy sensorimotor attunement. Actors shaped their bodies according to kinesic intelligence molded by theatrical experience and skill, provoking audiences to respond to their most subtle movements. An approach grounded in kinesic intelligence enables us to re-examine metaphor, rhetoric, ethics, gender, and violence. The book will appeal to scholars and students of English, French, and Italian Renaissance literature and to researchers in the cognitive humanities, cognitive sciences, and theatre studies.
Categories: Literary Criticism

A Companion to English Renaissance Literature and Culture

A Companion to English Renaissance Literature and Culture

This is a one volume, up-to-date collection of more than fifty wide-ranging essays which will inspire and guide students of the Renaissance and provide course leaders with a substantial and helpful frame of reference.

Author: Michael Hattaway

Publisher: John Wiley & Sons

ISBN: 9780470998724

Category: Literary Criticism

Page: 792

View: 479

This is a one volume, up-to-date collection of more than fifty wide-ranging essays which will inspire and guide students of the Renaissance and provide course leaders with a substantial and helpful frame of reference. Provides new perspectives on established texts. Orientates the new student, while providing advanced students with current and new directions. Pioneered by leading scholars. Occupies a unique niche in Renaissance studies. Illustrated with 12 single-page black and white prints.
Categories: Literary Criticism

Renaissance Literature and Culture

Renaissance Literature and Culture

The guide to Renaissance Literature and Culture provides students with the ideal introduction to literature and its context from 1533-1642, including: - the historical, cultural and intellectual background including religion, politics, ...

Author: Lisa Hopkins

Publisher: A&C Black

ISBN: 9781441191199

Category: Literary Criticism

Page: 160

View: 833

The guide to Renaissance Literature and Culture provides students with the ideal introduction to literature and its context from 1533-1642, including: - the historical, cultural and intellectual background including religion, politics, exploration and visual culture - major writers and genres including Spenser, Sidney, Marlowe, Shakespeare and Jonson - concise explanations of key terms needed to understand the literature and criticism - key critical approaches to modernism from contemporary critics to the present - a chronology mapping historical events and literary works and further reading including websites and electronic resources.
Categories: Literary Criticism

The Sacred and Profane in English Renaissance Literature

The Sacred and Profane in English Renaissance Literature

This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature.

Author: Mary Arshagouni Papazian

Publisher: Associated University Presse

ISBN: 0874130255

Category: Literary Criticism

Page: 377

View: 900

This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
Categories: Literary Criticism

British Identities and English Renaissance Literature

British Identities and English Renaissance Literature

Scholars examine the role of literature in the construction of 'Britishness'.

Author: David J. Baker

Publisher: Cambridge University Press

ISBN: 0521782007

Category: Literary Criticism

Page: 297

View: 148

Scholars examine the role of literature in the construction of 'Britishness'.
Categories: Literary Criticism

Renaissance Literature

Renaissance Literature

A guide to further reading accompanies each chapter, complemented by a section of student resources at the end of the book.

Author: Siobhan Keenan

Publisher: Edinburgh University Press

ISBN: 9780748631216

Category: Literary Criticism

Page: 304

View: 457

This concise introduction to the literature of an exciting and influential period opens with an overview of the historical and cultural context in which English Renaissance literature was produced, and a discussion of its contemporary and subsequent critical reception. The following chapters survey the major Renaissance genres of drama, poetry and prose. Each chapter provides illustrative case studies of canonical and non-canonical key texts by authors such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, John Milton, Sir Philip Sidney, John Donne, Aemilia Lanyer, Sir Francis Bacon, Thomas Nashe, and Lady Mary Wroth. A guide to further reading accompanies each chapter, complemented by a section of student resources at the end of the book. The final chapter summarises significant developments in English Renaissance literary culture, and discusses the future direction of Renaissance literary scholarship.
Categories: Literary Criticism

The Encyclopedia of English Renaissance Literature

The Encyclopedia of English Renaissance Literature

Featuring over 400 clear and accessible entries on a wide range of writers and literary forms, this comprehensive three-volume collection covers canonical authors and their works - from John Skelton to John Milton – as well as a variety ...

Author:

Publisher: John Wiley & Sons

ISBN: 9781405194495

Category:

Page: 373

View: 516

Categories:

Homoerotic Space

Homoerotic Space

'Both Renaissance and classical queer scholarship will be enriched by this book sparkling with provocative arguments and fresh analyses.

Author: Stephen Guy-Bray

Publisher: University of Toronto Press

ISBN: 0802036775

Category: Literary Criticism

Page: 265

View: 593

Stephen Guy-Bray argues that early modern authors used renditions of Theocritan and Virgilian pastoral, as well as epic poetry, for the exploration and the allusive presentation of homoerotic and homosocial themes.
Categories: Literary Criticism

The Power of Eloquence and English Renaissance Literature

The Power of Eloquence and English Renaissance Literature

This book is an ambitious critical investigation of the idea of eloquence as it informs classical and Renaissance thinking about literature.

Author: Neil Rhodes

Publisher: Palgrave Macmillan

ISBN: 0312084218

Category: History

Page: 244

View: 469

This book is an ambitious critical investigation of the idea of eloquence as it informs classical and Renaissance thinking about literature.
Categories: History

Birds and Other Creatures in Renaissance Literature

Birds and Other Creatures in Renaissance Literature

This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures.

Author: Rebecca Ann Bach

Publisher: Routledge

ISBN: 9781317203674

Category: Literary Criticism

Page: 216

View: 363

This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically. However, post-Cartesian readings of Shakespeare and other Renaissance literature have misunderstood Renaissance hierarchical creaturely relations, including human relations. Using critical animal studies work and new materialist theory, Bach argues that attending closely to creatures and objects in texts by Shakespeare and other writers exposes this unequal world and the use and abuse of creatures, including people. The book also adds significantly to animal studies by showing how central bird sociality and voices were to Renaissance human culture, with many believing that birds were superior to some humans in song, caregiving, and companionship. Bach shows how Descartes, a central figure in the transition to modern ideas about creatures, lived isolated from humans and other creatures and denied ancient knowledge about other creatures’ minds, especially bird minds. As significantly, Bach shows how and why Descartes’ ideas appealed to human grandiosity. Asking how Renaissance categorizations of creatures differ so much from modern classifications, and why those modern classifications have shaped so much animal studies work, this book offers significant new readings of Shakespeare’s and other Renaissance texts. It will contribute to a range of fields, including Renaissance literature, history, animal studies, new materialism, and the environmental humanities.
Categories: Literary Criticism

Science Reading and Renaissance Literature

Science  Reading  and Renaissance Literature

In identifying these interconnections between literature and science, this book contributes to scholarship in literary history, history of reading and the book, science studies and the history of academic disciplines.

Author: Elizabeth Spiller

Publisher: Cambridge University Press

ISBN: 1139451987

Category: Literary Criticism

Page: 214

View: 828

Science, Reading, and Renaissance Literature brings together key works in early modern science and imaginative literature (from the anatomy of William Harvey and the experimentalism of William Gilbert to the fictions of Philip Sidney, Edmund Spenser and Margaret Cavendish). The book documents how what have become our two cultures of belief define themselves through a shared aesthetics that understands knowledge as an act of making. Within this framework, literary texts gain substance and intelligibility by being considered as instances of early modern knowledge production. At the same time, early modern science maintains strong affiliations with poetry because it understands art as a basis for producing knowledge. In identifying these interconnections between literature and science, this book contributes to scholarship in literary history, history of reading and the book, science studies and the history of academic disciplines.
Categories: Literary Criticism