This remarkable book by one of the great writers of our time includes essays on a proposed universal language, a justification of suicide, a refutation of time, the nature of dreams, and the intricacies of linguistic forms. Borges comments on such literary figures as Pascal, Coleridge, Cervantes, Hawthorne, Whitman, Valéry, Wilde, Shaw, and Kafka. With extraordinary grace and erudition, he ranges in time, place, and subject from Omar Khayyam to Joseph Conrad, from ancient China to modern England, from world revolution to contemporary slang.
English translation: Other Inquisitions 1937–1952, trans. Ruth L. C. Simms,
Austin: University of Texas Press, 1964, p. 3. 21 Michel Foucault, Les mots et les
choses: une archéologie des sciences humaine, Paris: Gallimard, 1966, pp. 7–11
Author: Roger Chartier
Publisher: John Wiley & Sons
Category: Literary Criticism
How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio – a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a ‘novella’ inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes’ novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier’s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author.
9963 The idea that one author proliferates others is in keeping with Borges ' idea
of a “ whole book ” in which the entire ... English translation : Other Inquisitions 1937–1952 , trans . by Ruth L.C. Simms , New York : Washington Square Press ...
Author: Jon Bartley Stewart
Publisher: Ashgate Publishing, Ltd.
Vol. 2 is dedicated to the use of Kierkegaard by later Danish writers. Almost from the beginning Kierkegaard's works were standard reading for these authors. Danish novelists and critics from the Modern Breakthrough movement in the 1870s were among the first to make extensive use of his writings. These included the theoretical leader of the movement, the critic Georg Brandes, who wrote an entire book on Kierkegaard, and the novelists Jens Peter Jacobsen and Henrik Pontoppidan
Borges, Jorge Luis. "About The Purple Land." In Other Inquisitions, 1937-1952,
131-45. Austin: University of Texas Press, 1995. . "Las alarmas del doctor
Americo Castro." In Otras inquisiciones, 35-40. Madrid: Alianza, 1976. -. "La
Author: Roberto Ignacio Diaz
Publisher: Bucknell University Press
Category: Literary Criticism
Even as he exposes the cultural fragmentation of Spanish America, Diaz's critical gesture allows strangeness to become an integral part not only of individuals, as Freud argues in "The Uncanny," but also of national cultural communities."--BOOK JACKET.
Borges, Jorge Luis. "El arte narrativo y la magia." Discusion. Buenos Aires: M.
Gleizer, 1932. Borges, Jorge Luis. "Nathaniel Hawthorne." Other Inquisitions, 1937-1952. Trans. Ruth L.C. Simms. New York: Simon and Schuster, 1968. 47-
Author: Sophia A. McClennen
Publisher: Purdue University Press
The genesis of Comparative Cultural Studies and Latin America stems from the contributors' conviction that, given its vitality and excellence, Latin American literature deserves a more prominent place in comparative literature publications, curricula, and disciplinary discussions. The editors introduce the volume by first arguing that there still exists, in some quarters, a lingering bias against literature written in Spanish and Portuguese. Secondly, the authors assert that by embracing Latin American literature and culture more enthusiastically, comparative literature would find itself reinvigorated, placed into productive discourse with a host of issues, languages, literatures, and cultures that have too long been paid scant academic attention. Following an introduction by the editors, the volume contains papers by Gene H. Bell-Villada on the question of canon, by Gordon Brotherston and Lúcia de Sá on the First Peoples of the Americas and their literature, by Elizabeth Coonrod Martínez on the Latin American novel of the 1920s, by Román de la Campa on Latin American Studies, by Earl E. Fitz on Spanish American and Brazilian literature, by Roberto González Echevarría on Latin American and comparative literature, by Sophia A. McClennen on comparative literature and Latin American Studies, by Alberto Moreiras on Borges, by Julio Ortega on the critical debate about Latin American cultural studies, by Christina Marie Tourino on Cuban Americas in New York City, by Mario J. Valdés on the comparative history of literary cultures in Latin America, and by Lois Parkinson Zamora on comparative literature and globalization. The volume also contains a bibliography of scholarship in comparative Latin American culture and literature and biographical abstracts of the contributors to the volume.
In: J. L. Borges & A. Kerrigan (ed.) Ficciones. New York: Grove Press. Borges,
J. L. (1964a). New refutation of time. In: J. L. Borges (ed.) Other inquisitions 1937
–1952. (Ruth L. C. Simms, trans.) (pp. 171–188). Austin: University of Texas
Author: Luigi Boscolo
This is the most comprehensive study of the role of time in psychotherapy. It illustrates how time is experienced in different ways – individual time, family time, and social time – and how time can act as an invaluable metaphor in shaping clinical practice within a systemic approach, while maintaining connections with other approaches, such as psychoanalysis and cognitive therapies. A seminal volume on this topic, the book looks at issues such as the duration of therapy; the relevance of past, present, and future in therapy; and the balance of memory and oblivion. It also includes a discussion of how time is framed in other disciplines, including sociology, history, and psychopathology, whilst exploring the concept in practical terms through case vignettes and complete case histories, including the transcripts of actual sessions. The reader is thus given a set of guidelines for dealing with time issues in therapy from a systemic perspective. Originally published in 1993, the book has been updated to create a dialogue with contemporary theoretical debates, as well as social and technological changes. It will fascinate all psychotherapists, particularly those interested in a systemic practice.
Author: Cristina Della ColettaPublish On: 2012-03-19
Other Inquisitions 137–40. ———. “The Aleph.” Collected Fictions 274–86. ——
—. “Avatares de la Tortuga.” Obras completas 254–58. ———. “Avatars of the
Tortoise.” Other Inquisitions 109–15. ———. ... Other Inquisitions: 1937–1952.
Author: Cristina Della Coletta
Publisher: JHU Press
Category: Performing Arts
Adapting fiction into film is, as author Cristina Della Coletta asserts, a transformative encounter that takes place not just across media but across different cultures. In this book, Della Coletta explores what it means when the translation of fiction into film involves writers, directors, and audiences who belong to national, historical, and cultural formations different from that of the adapted work. In particular, Della Coletta examines narratives and films belonging to Italian, North American, French, and Argentine cultures. These include Luchino Visconti’s adaptation of James M. Cain’s The Postman Always Rings Twice, Federico Fellini’s version of Edgar Allan Poe’s story "Never Bet the Devil Your Head," Alain Corneau’s film based on Antonio Tabucchi’s Notturno indiano, and Bernardo Bertolucci’s take on Jorge Luis Borges’s "Tema del traidor y del héroe." In her framework for analyzing these cross-cultural film adaptations, Della Coletta borrows from the philosophical hermeneutics of Hans-Georg Gadamer and calls for a "hermeneutics of estrangement," a practice of mediation and adaptation that defines cultures, nations, selfhoods, and their aesthetic achievements in terms of their transformative encounters. Stories travel to unexpected and interesting places when adapted into film by people of diverse cultures. While the intended meaning of the author may not be perfectly reproduced, it still holds, Della Coletta argues, an equally valid and important intellectual claim upon its interpreters. With a firm grasp on the latest developments in adaptation theory, Della Coletta invites scholars of media studies, cultural history, comparative literature, and adaptation studies to deepen their understanding of this critical encounter between texts, writers, readers, and cultural movements.
Manchester: Manchester UP, 1961. Borges, Jorge Luis.“The First Wells.” Other Inquisitions, 1937 - 1952.Trans. Ruth L.C. Simms. Intro. James E. Irby. Austin and
London: U of Texas P, 1975. [Trans. of Otras Inquisiciones. 1952. 86-88.] Carey ...
Author: H.G. Wells
Publisher: Broadview Press
H. G. Wells’s The War of the Worlds, the first story to speculate about the consequences of aliens (from Mars) with superior technology landing on earth, is one of the most influential science fiction books ever written. The novel is both a thrilling narrative and an elaboration of Wells’s socio-political thought on the subjects of imperialism, humankind’s treatment of other animals, and unquestioning faith in military technology and the continuation of the human species. This edition’s appendices include other related writings by Wells; selected correspondence; contemporary reviews; excerpts from works that influenced the novel and from contemporary invasion narratives; and photographs of examples of Victorian military technology.
New York: Farrar, Strauss and Giroux. Blackmur, R. P. 1952. ... Labyrinths:
Selected Stories and Other Writings. Ed. Donald A. Yates and James E. Irby. New
York: New Directions. . 1965. Other Inquisitions 1937-1952. Trans. Ruth L. C.
Author: Jed Rasula
Publisher: MIT Press
Category: Foreign Language Study
When works such as Joyce's Finnegans Wake and Stein's Tender Buttons were first introduced, they went so far beyond prevailing linguistic standards that they were widely considered "unreadable," if not scandalous. Jed Rasula and Steve McCaffery take these and other examples of twentieth-century avant-garde writing as the starting point for a collection of writings that demonstrates a continuum of creative conjecture on language from antiquity to the present. The anthology, which spans three millennia, generally bypasses chronology in order to illuminate unexpected congruities between seemingly discordant materials. Together, the writings celebrate the scope and prodigality of linguistic speculation in the West going back to the pre-Socratics.
One literature differs from another, either before it or after it, not so much because
of the text as for the manner in which it is read. Jorge Luis Borges, Other Inquisitions: 1937-1952 Indeed I would go so far as saying that it is the critic's job
Author: Richard H. Okada
Publisher: Duke University Press
Category: Literary Criticism
In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature. Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author’s reading stratgey is based on the texts’ own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts. Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture.
In their various classifications and arrangements of knowledge encyclopaedists
always try to reach a compromise between these binary opposites , ... 1 Jorge
Luis Borges , Other Inquisitions 1937-1952 , tr . Ruth L.C. Simms ( Austin 1964 )
Author: Peter Binkley
Category: Literary Criticism
This proceedings volume contains contributions from many areas of literature, history and philosophy and comprises five extended essays on the problems and opportunities facing researchers into encyclopaedic texts, and 21 research papers on specific topics.
Computers and the Humanities 19 (1985): 167–73. Borges, Jorge Luis. “The
Analytical Language of John Wilkins.” Other Inquisitions, 1937–1952. Translated
by Ruth L.C. Simms. Austin: University of Texas Press 1993. Bowden,
Author: Peter Swirski
Publisher: McGill-Queen's Press - MQUP
Category: Literary Criticism
From Literature to Biterature is based on the premise that in the foreseeable future computers will become capable of creating works of literature. Among hundreds of other questions, it considers: Under which conditions would machines become capable of creative writing? Given that computer evolution will exceed the pace of natural evolution a million-fold, what will such a state of affairs entail in terms of art, culture, social life, and even nonhuman rights? Drawing a map of impending literary, cultural, social, and technological revolutions, Peter Swirski boldly assumes that computers will leap from mere syntax-driven processing to semantically rich understanding. He argues that acknowledging biterature as a species of literature will involve adopting the same range of attitudes to computer authors (computhors) as to human ones and that it will be necessary to approach them as agents with internal states and creative intentions. Ranging from the metafiction of Stanislaw Lem to the "Turing test" (familiar to scientists working in Artificial Intelligence and the philosophers of mind) to the evolutionary trends of culture and machines, Swirski's scenarios lay the groundwork for a new area of study on the cusp of literary futurology, evolutionary cognition, and philosophy of the future.
Jorge Luis Borges, “The Biathanatos,” Other Inquisitions: 1937—1952, trans.
Ruth Simms (Austin: University of Texas Press, 1964), 89. Introduction I. John
Ashbery, “Album Leaf,” Some Trees (New York: Corinth Books), 1970. 2. Such
Author: Drew Daniel
Publisher: Fordham Univ Press
Category: Literary Criticism
Tilting the English Renaissance against the present moment, The Melancholy Assemblage examines how the interpretive experience of emotion produces social bonds. Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.
... Bowling Green University Popular Press, Bowling Green, Ohio, 1971, pp. 282-
287. 3 J.R.R. Tolkien, “On Fairy Stories,” in The Tolkien Reader, Ballantine, New
York, 1966, p. 47. 4 Jorge Luis Borges, Other Inquisitions 1937-1952, Ruth L. C. ...
Author: Eric S. Rabkin
Publisher: Princeton University Press
Category: Literary Criticism
What exactly is the fantastic? In the twentieth-century world, our notions of what is impossible are assaulted every day. To define the nature of fantasy and the fantastic, Eric S. Rabkin considers its role in fairy tales, science fiction, detective stories, and religious allegory, as well as in traditional literature. The examples he studies range from Grimm's fairy tales to Agatha Christie, from Childhood's End to the novels of Henry James, from Voltaire to Robbe-Grillet to A Canticle for Leiboivitz. By analyzing different works of literature, the author shows that the fantastic depends on a reversal of the ground rules of a narrative world. This reversal signals most commonly a psychological escape, often from boredom, to an unknown world secretly yearned for, whose order, although reversed, bears a precise relation to reality. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Francisco de QuevedoPublish On: 2009-08-01
“Like Joyce, like Goethe, like Shakespeare, like Dante—like no other writer—
Francisco de Quevedo is less a man than a vast and complex literature.”1 As
Jorge Luis ... Jorge Luis Borges, “Quevedo,” in Other Inquisitions, 1937–1952,
Author: Francisco de Quevedo
Publisher: University of Chicago Press
Francisco de Quevedo (1580–1645), one of the greatest poets of the Spanish Golden Age, was the master of the baroque style known as “conceptismo,” a complex form of expression fueled by elaborate conceits and constant wordplay as well as ethical and philosophical concerns. Although scattered translations of his works have appeared in English, there is currently no comprehensive collection available that samples each of the genres in which Quevedo excelled—metaphysical and moral poetry, grave elegies and moving epitaphs, amorous sonnets and melancholic psalms, playful romances and profane burlesques. In this book, Christopher Johnson gathers together a generous selection of forty-six poems—in bilingual Spanish-English format on facing pages—that highlights the range of Quevedo’s technical expertise and themes. Johnson’s ingenious solutions to rendering the difficult seventeenth-century Spanish into poetic English will be invaluable to students and scholars of European history, literature, and translation, as well as poetry lovers wishing to reacquaint themselves with an old master.
12 I have drawn here to some extent on Ruth L. C. Simms's translation of the
relevant passage: 'that imminence of a revelation that is not yet produced is,
perhaps, the aesthetic reality' (Other Inquisitions 1937–1952 (London: Souvenir
Author: Jean Baudrillard
Category: Social Science
Not long ago, two friends Jean Baudrillard and Enrique Valiente Noailles the one having come from Buenos Aires, the other from nowhere, met in Paris. They had a long discussion without any precise aim. It was, rather, a way of rubbing up against metaphysics without risk of contagion. They called it Exiles from Dialogue as a mirrored homage to Bertolt Brecht and shortly afterwards they parted company and went their separate ways. In this remarkable new book based on this gnomic meeting, Baudrillard and Noailles range over the entirety of philosophy and thought underpinning Baudrillards unique work, from In the Shadow of the Silent Majorities (1983) to his recent writings on 9/11. Philosophically, the book takes in its breadth Heraclitus to Wittgenstein by way of Plato, Aristotle, Kant, Hegel, Kierkegaard and Nietzche. Its literary sources are diverse: Gracian and Saul Bellow, Hlderlin and Stanislaw Lec; and the theories of Fukuyama, Barthes and Kristeva are weighed, considered and analysed. With his usual incandescent brilliance, Baudrillard discusses the central themes of his writing: thought as (non-prophetic) anticipation; tragic acceptance of the world; the disappearance of the world into simulation; the death of the social (and with it the Left). Vitally, Baudrillard corrects some of the misconceptions that plague his work (about his fatal strategies, for example), qualifies some of his bolder pronouncements (notably softening his position on the question of the virtual) and pushes other lines of thinking further than ever before. Razor-sharp, volatile and capacious, this book will be essential reading for students and scholars of Baudrillard and those interested in the theories and philosophies that currently abound and rebound in the social sciences and humanities.
1 Jorge Luis Borges, Other Inquisitions: 1937–1952, trans. Ruth L. Simms (Austin
, TX: University of Texas Press, 1966), p. 108. 2 Michel Foucault, The Order of
Things: An Archaeology of the Human Sciences (London: Routledge, 2002), XVI.
Author: Zoë Lehmann Imfeld
Publisher: Bloomsbury Publishing
This volume deploys theology in a reconstructive approach to contemporary literary criticism, to validate and exemplify theological readings of literary texts as a creative exercise. It engages in a dialogue with interdisciplinary approaches to literature in which theology is alert and responsive to the challenges following postmodernism and postmodern literary criticism. It demonstrates the scope and explanatory power of theological readings across various texts and literary genres. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide.
Bordwell, D. (1997) On the History ofFilm Style. Cambridge: Harvard University
Press. Borges, J.L. (1964) Other Inquisitions, 1937–1952. Austin: University of
Texas Press. Branston, G and R. Stafford (2003) The Media Student's Book. 3rd
Author: Clive Myer
Publisher: Columbia University Press
Category: Performing Arts
Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.