Locating Classical Receptions on Screen

Locating Classical Receptions on Screen

“Review of Martin M. Winkler's Classical Literature on Screen: Affinities of
Imagination (2017)”, CR 69. James, Paula. (rev. 2014). Ovid's Myth of Pygmalion
on Screen: In Pursuit of the Perfect Woman. London and New York: Bloomsbury.

Author: Ricardo Apostol

Publisher: Springer

ISBN: 9783319964577

Category: Literary Criticism

Page: 198

View: 294

This volume explores film and television sources in problematic conversation with classical antiquity, to better understand the nature of artistic reception and classical reception in particular. Drawing inspiration from well-theorized fields like adaptation studies, comparative literature, and film, the essays in this collection raise questions fundamental to the future of reception studies. The first section, ‘Beyond Fidelity’, deals with idiosyncratic adaptations of ancient sources; the second section, ‘Beyond Influence’, discusses modern works purporting to adapt ancient figures or themes that are less straightforwardly ancient than they may at first appear; while the last section, ‘Beyond Original’, uses films that lack even these murky connections to antiquity to challenge the notion that studying reception requires establishing historical connections between works. As questions of audience, interpretation, and subjectivity are central to most contemporary fields of study, this is a collection that is of interest to a wide variety of readers in the humanities.
Categories: Literary Criticism

Screening Statues

Screening Statues

Paula James, Ovid's Myth of Pygmalion on Screen – In Pursuit of the Perfect
Woman (London and New York: Continuum International, 2011), 91. 19. Bloom,
Waxworks, 124. 20. Victor Stoichita, The Pygmalion Effect: from Ovid to Hitchcock
 ...

Author: Steven Jacobs

Publisher: Edinburgh University Press

ISBN: 9781474410908

Category: Performing Arts

Page: 304

View: 107

This collection charts the lives and times of Muslims living in contemporary Scotland
Categories: Performing Arts

Pygmalion s Metamorphosis and Galatea s Revenge Feminist Revisions of Ovid s Pygmalion Myth in British and American Literature since the 20th Century

Pygmalion   s Metamorphosis and Galatea   s Revenge  Feminist Revisions of Ovid   s Pygmalion Myth in British and American Literature since the 20th Century

The fact that Pygmalion’s literally man-made lover comes to life at the end of the story probably was the reason for artists’ fascination with the myth.

Author: Stefanie Eck

Publisher: GRIN Verlag

ISBN: 9783656364306

Category: Literary Criticism

Page: 40

View: 779

Bachelor Thesis from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 2,5, University of Regensburg, language: English, abstract: The myth of Pygmalion as told by Ovid in his Metamorphoses contains, according to Geoffrey Miles, “one of the most potent male fantasies” – that is the creation “of a perfectly beautiful woman designed to the lover’s specifications and utterly devoted to her creator”. The fact that Pygmalion’s literally man-made lover comes to life at the end of the story probably was the reason for artists’ fascination with the myth. Ever since antiquity, patriarchal literature produced countless renarrations of the story about Pygmalion’s love for his statue, and most of them were especially intrigued with the erotic potential of Ovid’s tale. Yet this leads to the question how the awakening of feminist thought since the early 20th century influenced the myth’s reception. More precisely, how did feminist versions of the tale alter its content and the relationship of its protagonists? This question forms the basis of this thesis paper which will examine, by means of several Pygmalion versions of the 20th and 21st centuries, the myth’s development from a patriarchal towards a feminist tale. Texts by authors like Angela Carter, Neil LaBute, G.B. Shaw and others will be analysed.
Categories: Literary Criticism

Ovid Myth and Metamorphosis

Ovid  Myth and Metamorphosis

The book's later chapters are devoted to five of the most memorable Ovidian stories - Apollo and Daphne, Actaeon, Philomela, Arachne and Pygmalion. Each subtle and elusive story is found to have generated a huge range of creative responses.

Author: Sarah Annes Brown

Publisher: Bristol Classical Press

ISBN: UOM:39015060839027

Category: Biography & Autobiography

Page: 159

View: 344

The impact of Ovid's Metamorphoses on our culture can hardly be overestimated. The poem is one of the most exciting and accessible classical texts, our key source for nearly all the famous myths of Greece and Rome. Sarah Annes Brown offers a lively, and sometimes provocative, introduction to the Metamorphoses, exploring the impact of recent critical developments and tracing its rich afterlife in both high and popular culture. The book's later chapters are devoted to five of the most memorable Ovidian stories - Apollo and Daphne, Actaeon, Philomela, Arachne and Pygmalion. Each subtle and elusive story is found to have generated a huge range of creative responses. The influence of the Pygmalion myth, for example, can be traced in Frankenstein, Vertigo and Blade Runner, as well as in the works of Chaucer and Shakespeare.
Categories: Biography & Autobiography

The Pygmalion Effect

The Pygmalion Effect

Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else.

Author: Victor I. Stoichita

Publisher: University of Chicago Press

ISBN: 9780226775210

Category: Art

Page: 252

View: 979

Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else. Stoichita delivers this image and its avatars from the shadow cast by art that merely replicates reality.
Categories: Art

Galatea s Emancipation The Transformation of the Pygmalion Myth in Anglo Saxon Literature since the 20th Century

Galatea s Emancipation  The Transformation of the Pygmalion Myth in Anglo Saxon Literature since the 20th Century

This fascination, due to the erotic potential of the story, resulted in an abundance of patriarchal re-narrations from the Middle Ages to the late 19th century.

Author: Stefanie Eck

Publisher: Anchor Academic Publishing (aap_verlag)

ISBN: 9783954895991

Category: Literary Criticism

Page: 43

View: 657

The Pygmalion myth, most famously told by Ovid in his Metamorphoses, has always fascinated artists. This fascination, due to the erotic potential of the story, resulted in an abundance of patriarchal re-narrations from the Middle Ages to the late 19th century. With the turn of the 20th century, however, the Pygmalion stories gradually changed under the influence of feminist thought and emancipation. The woman created by Pygmalion no longer remained a passive creature but began to resist her master and his male fantasies, sometimes in a subtle way, sometimes in open rebellion. The study at hand focuses on the development of the tale in the Anglo-Saxon literature of the 20th and 21st centuries. The author will analyze some of these modern Pygmalion versions, written by George Bernard Shaw, Carol Ann Duffy and Neil LaBute amongst other significant author
Categories: Literary Criticism

Pygmalion

Pygmalion

Presents a critical introduction to Shaw's classic drama, covering characterization, plot, symbolism, and setting.

Author: Charles A. Berst

Publisher: Macmillan Reference USA

ISBN: 0805794476

Category: Literary Criticism

Page: 158

View: 304

Presents a critical introduction to Shaw's classic drama, covering characterization, plot, symbolism, and setting.
Categories: Literary Criticism

Pygmalion s Metamorphosis and Galatea s Revenge Feminist Revisions of Ovid s Pygmalion Myth in British and American Literature Since the 20th Century

Pygmalion s Metamorphosis and Galatea s Revenge  Feminist Revisions of Ovid s Pygmalion Myth in British and American Literature Since the 20th Century

The fact that Pygmalion's literally man-made lover comes to life at the end of the story probably was the reason for artists' fascination with the myth.

Author: Stefanie Eck

Publisher:

ISBN: 365636494X

Category:

Page: 46

View: 924

Bachelor Thesis from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 2,5, University of Regensburg, language: English, abstract: The myth of Pygmalion as told by Ovid in his Metamorphoses contains, according to Geoffrey Miles, "one of the most potent male fantasies" - that is the creation "of a perfectly beautiful woman designed to the lover's specifications and utterly devoted to her creator." The fact that Pygmalion's literally man-made lover comes to life at the end of the story probably was the reason for artists' fascination with the myth. Ever since antiquity, patriarchal literature produced countless renarrations of the story about Pygmalion's love for his statue, and most of them were especially intrigued with the erotic potential of Ovid's tale. Yet this leads to the question how the awakening of feminist thought since the early 20th century influenced the myth's reception. More precisely, how did feminist versions of the tale alter its content and the relationship of its protagonists? This question forms the basis of this thesis paper which will examine, by means of several Pygmalion versions of the 20th and 21st centuries, the myth's development from a patriarchal towards a feminist tale. Texts by authors like Angela Carter, Neil LaBute, G.B. Shaw and others will be analysed.
Categories:

Classical Mythology in English Literature

Classical Mythology in English Literature

Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history.

Author: Geoffrey Miles

Publisher: Routledge

ISBN: 9781134754632

Category: Literary Collections

Page: 472

View: 173

Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Categories: Literary Collections

Dissertation Abstracts International

Dissertation Abstracts International

Director : Linda H . Peterson Order Number DA9930998 The uses of Ovid ' s myth
of Pygmalion in poetry , drama , and ... he and his plays served as a projection
screen for the country ' s needs and desires and , as a result , Hamlet came to be
 ...

Author:

Publisher:

ISBN: STANFORD:36105028425275

Category: Dissertations, Academic

Page:

View: 827

Categories: Dissertations, Academic

Ovidian Myth and Sexual Deviance in Early Modern English Literature

Ovidian Myth and Sexual Deviance in Early Modern English Literature

Carter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston.

Author: S. Carter

Publisher: Springer

ISBN: 9780230306073

Category: Literary Criticism

Page: 212

View: 218

Carter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston. With a focus on sexual violence, homosexuality, incest and idolatry, Carter analyses how depictions of mythology represent radical ideas concerning gender and sexuality.
Categories: Literary Criticism

Changing Gender Roles and the Pygmalion Motif Shaw s Pygmalion and the Musical My Fair Lady in their contexts

Changing Gender Roles and the Pygmalion Motif     Shaw   s  Pygmalion  and the Musical  My Fair Lady  in their contexts

Its mythological background is fascinating as the topic is still up to date. This is why it has influenced many artists to use the story for their works.

Author: Catharina Kern

Publisher: GRIN Verlag

ISBN: 9783640498017

Category: Literary Criticism

Page: 51

View: 869

Bachelor Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, language: English, abstract: Pygmalion is one of the most famous comedies of all times. Its mythological background is fascinating as the topic is still up to date. This is why it has influenced many artists to use the story for their works. Besides Ovid’s version in his Metamorphoses that very closely sticks to the original of Greek mythology and G. B. Shaw’s one that, although he changes the frame and the plot of Pygmalion, he still holds on to the idea of the original story, there is for example Jean-Jacques Rousseau’s melodrama Pygmalion (1770), Johann Wolfgang Goethe’s poem Pygmalion (1767) and Franz von Suppé’s operetta Die Schöne Galathee (1865). The mythological background, though, is not the only reason why the story of Pygmalion has attracted that many artists and is that popular. It is the diversity of its themes and actions. There is for example a love story, a criticism of society, many different characters that are interesting in each way, changes in individual personalities and so on. . . . In a way he also forms a woman after his ideas and taste. This point of shaping a woman is present in both, Ovid’s Metamorphoses and G. B. Shaw’s Pygmalion. However, the most important difference between them is the woman’s behaviour. While in mythology Galatea is only a passive character, in Shaw’s Pygmalion Eliza is active from the beginning on and influences the play’s stream and action. She takes her destiny into her own hands and one could speak of an emancipated woman. As emancipation was a major topic and drastically developed during the Victorian era, one could argue whether the description of women in literature actually reflects society’s attitude towards them in the era in which this literature was written. For this reason I will elaborate the role of women in Victorian society in general and in Pygmalion in specific. Furthermore I would like to compare the play Pygmalion, which was staged for the first time in 1913, to the musical My fair lady which was released in 1956. The difference in time promises a difference in the reception of the story and it is probable that the changes in society between 1913 and 1956 are reflected in those two versions.Especially the role of women changed in those years. Therefore the focus of my thesis will be these transforming ideas concerning women in the Victorian age and the 1950’s by means of Pygmalion and My fair lady.
Categories: Literary Criticism

Reading Ovid

Reading Ovid

Presents a selection from Metamorphoses, designed for those who have completed an introductory Latin course.

Author: Peter Jones

Publisher: Cambridge University Press

ISBN: 9780521849012

Category: Foreign Language Study

Page: 272

View: 514

Presents a selection from Metamorphoses, designed for those who have completed an introductory Latin course.
Categories: Foreign Language Study

Ovid on Screen

Ovid on Screen

The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.

Author: Martin M. Winkler

Publisher: Cambridge University Press

ISBN: 9781108485401

Category: History

Page: 494

View: 221

The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Categories: History

Meanings of the Medium

Meanings of the Medium

The presence of well - known myths in television is evidenced by programs that
employ the physical metamorphosis motif of myth . ... of twenty years past has
become a common grocer , Barbara Jean wills herself into the screen on which
she has so often fondly gazed . ... As Ovid retells the story , Pygmalion is a
bachelor who , shocked by women ' s vices , has not married , but instead
sculpted himself an ...

Author: Katherine U. Henderson

Publisher: Praeger Pub Text

ISBN: UOM:39015015177168

Category: Language Arts & Disciplines

Page: 201

View: 279

Meanings of the Medium takes a new approach to the study of the past, present, and future of television. Most of its authors are not media experts but literary critics, philosophers, rhetoricians, and historians. They use their unique skills to examine three interwoven themes: the origin and meaning of American attitudes toward television, the relationship between "high" art and television's popular art, and the relationship between particular kinds of programs and the audience's sensibilities. Stressing an aesthetic and historical approach, the volume directs itself to the reasons why people watch particular programs and what these patterns tell us about ourselves.
Categories: Language Arts & Disciplines

Metamorphoses

Metamorphoses

"Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, ...

Author: Ovid

Publisher: Penguin Classics

ISBN: 0141394617

Category: Fables, Latin

Page: 768

View: 302

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful and tactile cloth. Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic yet playful, the Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.
Categories: Fables, Latin

Falling in Love with Statues

Falling in Love with Statues

Falling in Love with Statues reveals that these relationships have played an instrumental role throughout human history in our efforts to understand, improve, and empower ourselves."--Inside jacket.

Author: George L. Hersey

Publisher: University of Chicago Press

ISBN: 9780226327792

Category: Art

Page: 188

View: 314

"From Greek statues to porcelain dolls to digital avatars, countless generations of artificial humans have fascinated, seduced, and earned the devotion of their flesh-and-blood creators. Falling in Love with Statues reveals that these relationships have played an instrumental role throughout human history in our efforts to understand, improve, and empower ourselves."-inside jacket.
Categories: Art

Ovid Renewed

Ovid Renewed

This book is a study of Ovid and his poetry as a cultural phenomenon, conceived in the belief that such a study of tradition also casts fresh light on Ovid himself.

Author: Charles Martindale

Publisher: CUP Archive

ISBN: 0521397456

Category: Literary Criticism

Page: 298

View: 944

This book is a study of Ovid and his poetry as a cultural phenomenon, conceived in the belief that such a study of tradition also casts fresh light on Ovid himself. Its main concern is with exploring the influence of Ovid on literature, especially English literature, but it also takes a wider perspective, including, for example, the visual arts. The book takes the form of a series of studies by specialists in their fields, including a number of scholars of international renown. The essays cover the period from the twelfth century, when there was an upsurge of interest in Ovid, through to the decline in his fortunes in the nineteenth and twentieth centuries. They are critical and comparative in approach and collectively give a detailed sense of Ovid's importance in Western culture. Topics covered include Ovid's influence on Chaucer, Spenser, Shakespeare and his contemporaries, Dryden, T. S. Eliot, the myths of Daedalus and Icarus and Pygmalion, and the influence of Ovid's poetry on art.
Categories: Literary Criticism

The Metamorphoses

The Metamorphoses

Retold with Ovid’s irreverent flair, these tales are united by the theme of metamorphosis, as men and women are rendered alien to themselves, turned variously to flowers, trees, animals, and stones.

Author: Ovid

Publisher: Penguin

ISBN: 9781101184974

Category: Poetry

Page: 480

View: 568

Ovid’s famous mock epic—a treasury of myth and magic that is one of the greatest literary works of classical antiquity—is rendered into fluidly poetic English by world-renowned translator Allen Mandelbaum. Roman poet Ovid’s dazzling cycle of tales begins with the creation of the world and ends with the deification of Caesar Augustus. In between is a glorious panoply of the most famous myths and legends of the ancient Greek and Roman world—from Echo’s passion for Narcissus to Pygmalion’s living statue, from Perseus’s defeat of Medusa to the fall of Troy. Retold with Ovid’s irreverent flair, these tales are united by the theme of metamorphosis, as men and women are rendered alien to themselves, turned variously to flowers, trees, animals, and stones. The closest thing to a central character is love itself—a confounding, transforming, irrational force that makes fools of gods and mortals alike. The poem’s playful verses, both sensually earthy and wittily sophisticated, have reverberated through the centuries, inspiring countless artists and writers from Shakespeare to the present. Frequently translated, imitated, and adapted, The Metamorphoses has lost none of its power to provoke and entertain.
Categories: Poetry