Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco Gómez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage.

Author: Lisa A. Banner

Publisher:

ISBN: 1138265500

Category:

Page: 270

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco G¿mez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid, he embarked on a career of renovating or building religious foundations in various towns and cities around seventeenth-century Spain. The unintended consequence of his architectural patronage and involvement was to proliferate the distinctive royal architectural style developed under Philip II, which connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

"Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco G' de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage.

Author: Lisa A. Banner

Publisher:

ISBN: 1315085437

Category: Art patronage

Page: 249

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"Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco G' de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid, he embarked on a career of renovating or building religious foundations in various towns and cities around seventeenth-century Spain. The unintended consequence of his architectural patronage and involvement was to proliferate the distinctive royal architectural style developed under Philip II, which connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain."--Provided by publisher.

Antonio Feros, Kingship and Favoritism in the Spain of Philip III, 1598–1621, Cambridge: Cambridge University Press, 2000 (hereafter Feros, 2000); and Patrick Williams, The Great Favourite: The Duke of Lerma and the Court and Government ...

Author: LisaA. Banner

Publisher: Routledge

ISBN: 9781351541091

Category: Art

Page: 270

View: 966

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco G? de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid, he embarked on a career of renovating or building religious foundations in various towns and cities around seventeenth-century Spain. The unintended consequence of his architectural patronage and involvement was to proliferate the distinctive royal architectural style developed under Philip II, which connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

Although Lerma's arrangements with the church and the sum of his donations were described in September 1600 , it was another year before his patronage was officially recognized . Approbation of the patronage by the head of the Dominican ...

Author: Lisa A. Banner

Publisher: Routledge

ISBN: UOM:39015080834289

Category: Art patronage

Page: 280

View: 371

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco Gómez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces how Lerma embarked on a career of renovating or building religious foundations in seventeenth-century Spain; and shows how his architectural patronage and involvement connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

For a detailed discussion of Lerma's dedication to the order of Santiago, see Lisa Banner, The religious patronage of the Duke of Lerma, 1598-1621 (Farnham, England ; Burlington, VT: Ashgate, 2009), 9-25. 36 Figure 2.3 Ju uan Pantoja de ...

Author: Ilenia Colón Mendoza

Publisher: Cambridge Scholars Publishing

ISBN: 9781527512290

Category: Art

Page: 200

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Portraits have a long history in royal courts as a way of communicating the monarch’s status, rulership, and even piety. This anthology places such art works studied in the context of their commission, production, and display. Artists use different representational strategies to convey important information about the sitter. These aspects combined with patronage, location and use of the work form a departure point from which to address portraits comprehensively. The intersection between artist, the portrayed and audience with the additional layer of formed identity allows the portrait to hold a special place as popular genre of Spanish art. The relationship between the use of the work and its context is key to understanding better the cultural and social norms of Spanish aristocracy and what they reveal about Spanish identity in general. Used to solidify governance, lineage, and marriage, portraits legitimized the negotiation of status, power, and social mobility.

Banner, Lisa. The Religious Patronage of the Duke of Lerma, 1598–1621. Ashgate, 2009. Barros, Alonso de. Filosofía cortesana moralizada. Joseph Cacchij, 1588. ———. Proverbios morales. 1598. 3rd ed. Alonso Martín, 1608. Blüher, Karl.

Author: Francisco Gómez Martos

Publisher: Routledge

ISBN: 9781000179286

Category: History

Page: 120

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Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries. During this time, the courts of Spain, France, and England were dominated by all-powerful ministers who enjoyed royal favor. The politics of royal favoritism gave rise to a significant group of plays which constitutes the subject of this book. While scholars have studied this group partially and separately in national context, Staging Favorites approaches these "dramas about favorites" from a wider European point of view, and performs comparative analyses of a number of plays – including La paciencia en la fortuna; Le Favori, ou la Coquette; and Sejanus His Fall – and adds new detail and differentiation to the early modern perception and representation of the royal favorite. This book will appeal to scholars and students interested in early modern literature, history of theater, and cultural history.

her to take vows at La Ascensión de Nuestro Señor, a Poor Clare convent in his ducal town of Lerma, where her labour as a painter was ... and Banner L. A., The Religious Patronage of the Duke of Lerma, 1598– 1621 (Farnham: 2009).

Author: Walter Melion

Publisher: BRILL

ISBN: 9789004408944

Category: Art

Page: 692

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An investigation into how sacred mysteries (in Latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature, produced in Italy, France, and the Low Countries between ca. 1500 and 1700.

Banner, Lisa A., The religious patronage of the Duke of Lerma, 1598–1621, Burlington 2009. Barberini, Francesca, 'Lo studio delle medaglie: interessi numismatici nel collezionismo Barberini', in: Lorenzo Mochi Onori, Sebastian Schütze, ...

Author: Elisa Goudriaan

Publisher: BRILL

ISBN: 9789004353589

Category: Social Science

Page: 499

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A comprehensive overview of the cultural world and diplomatic strategies of Florentine patricians by revealing their contribution to the court culture of the Medici and the mechanisms behind their brokerage activities.

Banner, Lisa A. The Religious Patronage of the Duke of Lerma, 1598–1621. Burlington, VT: Ashgate, 2006. Bègue, Alain. Les jésuites en Espagne et en Amérique espagnole (1565–1615): pouvoir et religion. Paris: Presses Universitaires de ...

Author:

Publisher: BRILL

ISBN: 9789004360686

Category: Art

Page: 462

View: 630

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A trans-cultural collection of studies on early modern imagery of the phenomena of pain and suffering and viewers’ potential responses. Authors variously consider pain and suffering as somatic, emotional, and psychological experiences.

Banner, Lisa A. The Religious Patronage of the Duke of Lerma, 1598–1621. Burlington, Vt.: Ashgate, 2009. Barker, Emma, Nick Webb, and Kim Woods, eds. The Changing Status of the Artist. New Haven: Yale University Press in association ...

Author: Amanda Wunder

Publisher: Penn State Press

ISBN: 9780271079431

Category: Art

Page: 230

View: 703

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Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.